First single volume edition of this bold version of a classic by Sarah Kane Sarah Kane's radical reworking of Seneca's classical tragedy of incest and unrequited lust. Phaedra's Love is a bold and provocative revisioning of the story of Phaedra's obsessive and destructive love of her son Hippolytus and his violent punishment by Theseus.Kane's achievement is to have humanised the antics of the pounding royals. Her sulphurous dialgoue is full of reeking toughness' Evening Standard 'Sarah Kane's writing is both daring and accomplished' Time Out 'Pure theatre or rather impure theatre: dirty, alarming, dangerous' Observer 'delivered with punch and laced with black humour' Financial Times

This is a succinct and elegant argument for the specificity of a philosophy of tragedy, as opposed to a poetics of tragedy espoused by Aristotle.

Blasted: Cast gender - mixed; number - 2 males, 1 female (total 3); size - small; ages - adults; length - 5 scenes. Depiction of rape, torture and violence in civil war.

Who is always perfectly put together and never at a loss for words? Who is professional, courteous, and harder working than anyone else? Whose Christmas cards arrive the day after Thanksgiving, year after year? Y'all know she's got to be a Southern Belle. A Southern Belle takes care of herself and makes sure people treat her right. She always gets her way, even if her man thinks it was his idea. (That's a win for you both.) But you don't have to be raised in the South to be the same fun-loving package of looks, charm, and determination that makes a Belle a Belle. That's what this little book is for! Take it from Phaedra Parks, the smart, confident, and always poised star of The Real Housewives of Atlanta. Life as a Belle is simply better--for you and for the people around you.--From publisher description.

Love Me or Kill Me is the first study of Sarah Kane, the most significant British dramatist in post-war theater. It covers all of Kane's major plays and productions, contains hitherto unpublished material and reviews, and looks at her continuing influence after her tragic early death. Locating the main dramatic sources and features of her work as well as centralizing her place within the 'new wave' of emergent British dramatists in the 1990's, Graham Saunders provides an introduction for those familiar and unfamiliar with her work.

THE STORY: Based on a legend first dealt with by Euripides (in Greek) and Seneca (in Latin) the action of the play centers on the tragic fate of Phaedra, wife of Theseus, the King of Athens, who falls passionately in love with her stepson, Hippolyt

How various mythologies challenge, enable, and inspire women artists and activists across the globe to communicate personal and historical experiences of violence is the central concern of this collection. Beginning with the observation that twentieth- and twenty-first century female writers and artists often use myth to represent their social and artistic struggles, the distinguished international scholars and writers consider mythic fabulations as spaces for contested meanings and resistant readings. The identified resistance of the mythic material to repression-working, as it were, in opposition to another celebrated drive/role of myth, that of containment-makes the use of myth particularly stimulating for twentieth-century and contemporary female artists; and it is an interest in the aesthetic and political consequences of such resistances that animates this book. Exemplifying the diverse types of engagement with myth and femininity, literary criticism, discussions of film and art, artwork, as well as original creative writing, could all be found within the boundaries of this innovative volume. Femininity, myth, and violence are here explored in contexts such as female mythopoiesis in the early twentieth century; the politics of representation in contemporary writing; revision of old myths; and creation of new myths in multicultural female experiences. Keeping the focus on the actual works of art, the editors and contributors offer scholars and teachers an inclusive way to approach literature and the arts that avoids the limits imposed by genre or national and regional boundaries.