What would you have worn if you lived during the American Revolution or the early 1800s? It depends on who you were! Women wore layers and layers of undergarments, including corsets, chemises, and petticoats, and they accessorized with gloves, hats, parasols, and fans. Men also flaunted plenty of accessories, including neckties, top hats, walking sticks, and pocket watches. Read more about Revolutionary and early 1800s fashions—from pantaloons to silk stockings to tricornered hats—in this fascinating book!

The passion of Robert E. Lee and the puritan streak in cavalier J. E. B. Stuart are only two of the surprises in Alf J. Mapp Jr.'s highly regarded psychological analysis of Confederate military and political leaders. In this beautifully written book, Mapp also brings to life the defensively genteel Jefferson Davis, the paradoxically bold retreater Joseph E. Johnston, the amazingly transformed "Stonewall" Jackson, and the mysterious and astonishingly durable Judah P. Benjamin. Mapp's first-rate scholarship, fresh insights, and exciting prose have made Frock Coats and Epaulets essential reading for generation of historians and readers interested in the Civil War. Revised and with a new introduction and updated bibliography, Mapp's classic study of the men who led the Confederate rebellion against the United States will appeal to a whole new generation of Americans.

"The new 35 volume "Clothing of Common People in Elizabethan and Early Stuart England (1558-1660)" series is by far the most detailed and all embracing study of the costume of the normal people of England so far undertaken for the period of Elizabeth, Shakespeare and the English Civil War. It draws on the study of surviving garments, paintings, plasterwork, over 18,000 wills and inventories and over 71,000 pre-1660 books and pamphlets. It rigorously examines and justifies whether the original evidence is trustworthy before moving on to analyse the nature of the clothes and how to construct replicas"--Publisher's website.

By the middle of the century, men were prompted to disdain the decadent and gaudy colors of the pre-Revolutionary period and wear unrelievedly black frock coats suitable to the manly and serious world of commerce. Their wives and daughters, on the other hand, adorned themselves in bright colors and often uncomfortable and impractical laces and petticoats, to signal the status of their family.

One way of creating a theatrical costume is called flat patterning. This is when a costume designer uses a pattern made to the wearer's measurements to cut out and sew together a costume. In many cases flat patterning is the more appropriate method for creating a period costume - skirts, pants, and sleeves, for example. However, working in two-dimensions often does not translate correctly onto a three-dimensional dress form or person. Often a designer will need to tweak style lines on a garment once they see it worn, or a costume will need a quick adjustment right before going on stage. In those cases, designers need to know how to correctly drape a costume. Draping is also the best way to construct a period costume right from the start. The construction of garments in earlier centuries often constricted movement, especially in the area of the armhole. The very different size and proportions of contemporary people compared to those in previous centuries makes the use of period patterns difficult. A well-draped garment can give the impression of period accuracy while permitting the wearer greater freedom of movement. Having a mock-up pinned to the form in its early stages is quicker and easier to adapt than drafting a flat pattern, cutting it out of muslin and sewing it. It also provides the opportunity for greater creativity and adaptation as well as a better understanding of what fabric will and won't do. In Draping Period Costumes, Sharon Sobel explains in step-by-step detail the basics of draping and demonstrates the use of those basic skills in the creation of a representative selection of period costumes from a variety of time periods. Chapters are broken into time periods and have two parts: an analysis of how clothing was made and worn during that specific time period, and detailed instruction on draping techniques to construct the costume. Copiously illustrated, images allow this visual audience to easily follow along with detailed instructions. A part of the Costume Topics series, this book will be 256 pages, a snazzy 8.25 x 7.5 trim size, and spiral bound-a format consistently requested by our audience so that they can lay the book flat while working from it.