The ancient novel, previously relegated to the margins of literary study, has recently taken its place at centre stage. Petronius' Satyricon, the oldest surviving work of prose fiction, is in many respects an arrestingly modern ancient novel but the inclusion within it of thirty short poems and two long ones introduces an alien feature in need of investigation. In this study, Catherine Connors draws on developments in Latin literary criticism to take a comprehensive approach to the Satyricon's poems, reminiscences of poetic texts, and the figure of the poet, assessing the ways in which they fragment and refashion established literary forms into a new amalgam of prose fiction. This book will be of interest to students of Latin literature, Neronian culture, and the early history of the novel. All Latin and Greek is translated.

The work contains a mixture of prose and verse (commonly known as prosimetrum); serious and comic elements; and erotic and decadent passages. The surviving sections of the original (much longer) text detail the bizarre exploits of the narrator, Encolpius, and his slave and boyfriend Giton, a handsome sixteen-year-old boy. It is the second most fully preserved Roman novel, after the fully extant Metamorphoses of Apuleius, which has significant differences in style and plot. Satyricon is also regarded as useful evidence for the reconstruction of how lower classes lived during the early Roman Empire.

DigiCat Publishing presents to you this special edition of "The Satyricon — Complete" by Petronius Arbiter. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This is the first modern commentary on Petronius' Satyrica. It begins with basic background information, then surveys each episode in order that leading themes emerge. Finally, it gives an overview of Petronius' use of literary allusion and symbolism, and of his treatment of sex. All Latin and Greek quotations have been translated so that this volume may benefit both students of classical and comparative literature.

Inspired by Theodore Papanghelis’ Propertius: A Hellenistic Poet on Love and Death (1987), this collective volume brings together seventeen contributions, written by an international team of experts, exploring the different ways in which Latin authors and some of their modern readers created narratives of life, love and death. Taken together the papers offer stimulating readings of Latin texts over many centuries, examined in a variety of genres and from various perspectives: poetics and authorial self-fashioning; intertextuality; fiction and ‘reality’; gender and queer studies; narratological readings; temporality and aesthetics; genre and meta-genre; structures of the narrative and transgression of boundaries on the ideological and the formalistic level; reception; meta-dramatic and feminist accounts-the female voice. Overall, the articles offer rich insights into the handling and development of these narratives from Classical Greece through Rome up to modern English poetry.