Peter Pattison is a very ordinary boy… …or so he thinks until he makes contact with the people of Perulius, a distant planet almost identical to Earth. Why are they here? What do they want? Join Peter and his friends, Hatty and Candice, as they begin an incredible adventure that is quite literally… OUT OF THIS WORLD!

On the edge of Tabwell lies a forest where the dark secrets of the past wait to be uncovered... It all began when Jenny Adams first dreamed of a young girl imprisoned in a dark attic. Now, over six years later, she's back where the nightmares started. Mosswood has been transformed into a successful adventure park, and it is there Jenny meets troubled, flame-haired teen Bailey Rosales, and Cody Nelson, a seven-year-old who has some very special friends. Dead friends. Why is Dennis Blakely, the park manager, tormented by visions of his own horrific demise, and why is an ex-councillor warning them to stay out of the forest at all costs? Once again, Jenny finds herself calling on the spirit of Amelia Root in the search for answers, but it is a search that leads the whole family into a terrifying confrontation with Tabwell's past and the secrets that lurk beyond the dark waters of Mosswood's lake.

Harvard psychologist and philosopher William James' The Varieties of Religious Experience: A Study in Human Nature explores the nature of religion and, in James' observation, its divorce from science when studied academically. After publication in 1902 it quickly became a canonical text of philosophy and psychology, remaining in print through the entire century. "Scientific theories are organically conditioned just as much as religious emotions are; and if we only knew the facts intimately enough, we should doubtless see 'the liver' determining the dicta of the sturdy atheist as decisively as it does those of the Methodist under conviction anxious about his soul. When it alters in one way the blood that percolates it, we get the Methodist, when in another way, we get the atheist form of mind."

When Luke Coleman first touches his sister’s doll, he feels an extraordinary warmth travel the length of his arm. Natasha is like nothing he’s ever seen, but the attraction soon develops into a crippling obsession. In desperation, Luke turns to his eccentric aunt Nadia for support. Why was Natasha the only doll of her kind ever made? What is the history his aunt is so reluctant to reveal? At nineteen, Luke is still a loner, unable to form a relationship and no closer to understanding the reasons behind his fixation. But someone has been watching him, someone else who is looking for answers, and when they meet, Luke’s life will change forever. Content warning: while this story is a romance, it also includes scenes relating to childhood abuse, suicide ideation and domestic violence.

Time is integral to human culture. Over the last two centuries people's relationship with time has been transformed through industrialisation, trade and technology. But the first such life-changing transformation – under Christianity's influence – happened in late antiquity. It was then that time began to be conceptualised in new ways, with discussion of eternity, life after death and the end of days. Individuals also began to experience time differently: from the seven-day week to the order of daily prayer and the festal calendar of Christmas and Easter. With trademark flair and versatility, world-renowned classicist Simon Goldhill uncovers this change in thinking. He explores how it took shape in the literary writing of late antiquity and how it resonates even today. His bold new cultural history will appeal to scholars and students of classics, cultural history, literary studies, and early Christianity alike.

Pieter Bruegel the Elder and Religion offers new insight into the religious dimension of Bruegel’s art. With a number of highly original and thorough case studies, the volume illuminates Bruegel’s inventive and multifaceted engagement with the contemporary religious concepts and practices of his day and age. Religion remains a vital question in the life and career of Bruegel, because it was so long believed to be more or less absent from his work. As a pioneer of the new genres of landscape and peasant scenes, Bruegel was heralded as a ground-breaking “secular” painter. This volume highlights the most recent scholarship on the artist, offering a much more nuanced portrait of Bruegel’s engagement with the dynamic religious landscape of the mid-sixteenth century. Contributors are: Jessica Buskirk, Ralph Dekoninck, Bertram Kaschek, Walter S. Melion, Jürgen Müller, Anna Pawlak, Gerd Schwerhoff, Larry Silver, and Michel Weemans.