* Contains over 800 names * Completely indexed * Referenced forward and backwards. * Easy to read format *Follows Peter Bailey's family to the 8th generation.

“A thug is someone who stands on his own. He lives by the decisions he makes and accepts the consequences. A thug is comfortable in his own skin. I wear mine like a glove.” Trick Daddy was born a thug—just a stone’s throw from downtown Miami, yet a world away from its dazzling beauty and sparkling wealth. Where grinding poverty, deadly crime, and devastating racial tension taught kids to live by the ’hood rules. Remarkably, Trick came from nothing and made it big just when his chances had run out. Magic City is the extraordinary tale of a boy whose father was a pimp, who learned to hustle to survive, and whose only role model was his brother, the drug dealer he watched plying his trade on the block. It’s the untold truth behind the cult movie Scarface, of the drug money that transformed the city into a shining mecca for the rich and famous while turf wars between smalltime pushers claimed countless lives. It’s also the incredible story of how that potent mixture of extremes—the electric pulse and glittering abundance of South Beach and the crime, corruption, and despair in its shadows—gave rise to the most dominant sound in hip-hop today. Magic City is an ode to Miami, a riveting tale of a paradise lost and a native son determined to infuse it with new life.

This lively and highly innovative book reconstructs the texture and meaning of popular pleasure in the Victorian entertainment industry. Integrating theories of language and social action with close reading of contemporary sources, Peter Bailey provides a richly detailed study of the pub, music-hall, theatre and comic newspaper. Analysis of the interplay between entrepreneurs, performers, social critics and audience reveals distinctive codes of humour, sociability and glamour that constituted a new populist ideology of consumerism and the good time. Bailey shows how the new leisure world offered a repertoire of roles that enabled its audience to negotiate the unsettling encounters of urban life. Bailey offers challenging interpretations of respectability, sexuality, and the cultural politics of class and gender in a distinctive, personal voice.

Ella Little Collins saw her brother Malcolm through some of the most significant times of his life, and knew him better than anyone else. Now, for the first time, she shares her poignant, vivid memories of him. Told to her son, Rodnell, to whom Malcolm was a much-loved uncle and mentor, "Seventh Child" contains bitter, haunting, as well as joyful, recollections by two people who knew him intimately in the context of the family. It reveals Malcolm not just as a leader, but also as a brother, cousin, nephew, uncle, father, husband, and friend. It also provides remarkable information about Malcolm's family genealogy that has never before been available to the general public. No other book about Malcolm X -- and there have been dozens -- offers such enlightenment on the man. With rare family photos, including one of Rodnell with Malcolm the night before his assassination, "Seventh Child" adds immeasurably to our knowledge of this great and controversial figure.

First published in 2006. Part of the Studies in Social History series, this volume looks at leisure and class in Victorian England, 1830-85, including topics of popular recreation, middle class and working class differences and rational recreation for the masses and the case of Victorian Music Halls in the entertainment industry.