Iain Topliss presents a scholarly study of the drawings by Peter Arno, William Steig, Charles Addams & Saul Steinberg that have graced the pages of the New Yorker magazine.

"Against the Odds is the most important book yet written about the quest for a cure and treatments for AIDS. Authors Arno and Feiden cut through the complex issues to tell the tragic, inspiring story behind the scenes of the AIDS crisis - how a diverse group of extraordinary people banded together to fight bureaucracy and greed to save lives. AIDS has been called the greatest public health menace of our time, and yet political and bottom-line agendas, couples with fear, racism, and homophobia, have made the battle against it a painful uphill struggle. Against the Odds is the tale of government officials, agencies, and pharmaceutical companies that have delayed the development of life-saving and life-prolonging drugs, and of others who have bent and changed the rules. Most of all, it is the story of the activist and patient communities that have now altered the course of government policy toward AIDS and other diseases with their creative, and often heroic, tactics"--Unedited summary from book.

In the summer of 1925, The New Yorker was struggling to survive its first year in print. They took a chance on a young, indecorous cartoonist who was about to give up his career as an artist. His name was Peter Arno, and his witty social commentary, blush-inducing content, and compositional mastery brought a cosmopolitan edge to the magazine’s pages—a vitality that would soon cement The New Yorker as one of the world’s most celebrated publications.

Memoir in cartoons by the longtime cartoon editor of The New Yorker People tell Bob Mankoff that as the cartoon editor of The New Yorker he has the best job in the world. Never one to beat around the bush, he explains to us, in the opening of this singular, delightfully eccentric book, that because he is also a cartoonist at the magazine he actually has two of the best jobs in the world. With the help of myriad images and his funniest, most beloved cartoons, he traces his love of the craft all the way back to his childhood, when he started doing funny drawings at the age of eight. After meeting his mother, we follow his unlikely stints as a high-school basketball star, draft dodger, and sociology grad student. Though Mankoff abandoned the study of psychology in the seventies to become a cartoonist, he recently realized that the field he abandoned could help him better understand the field he was in, and here he takes up the psychology of cartooning, analyzing why some cartoons make us laugh and others don't. He allows us into the hallowed halls of The New Yorker to show us the soup-to-nuts process of cartoon creation, giving us a detailed look not only at his own work, but that of the other talented cartoonists who keep us laughing week after week. For desert, he reveals the secrets to winning the magazine's caption contest. Throughout How About Never--Is Never Good for You?, we see his commitment to the motto "Anything worth saying is worth saying funny."