The composer of 'I Honestly Love You', 'I Go to Rio' and 'I Still Call Australia Home' led a classic show business life. Peter Allen's performances at the height of his career in London, New York and Los Angeles were nothing less than spectacular, drawing rave reviews, cult crowds, and an ever-increasing network of friends which boasted Bette Midler, Richard Gere and Harry Connick Jnr. With 'talent' stamped all over him and a jump-start, whirlwind marriage to Liza Minnelli, Allen had a one-way ticket to the Big Time. What could be further from his humble beginnings in country Australia than the legendary performances in his heyday that, as one critic wrote, 'would have scandalised any decade other than the 70s'? Peter Allen: the Boy from Oz is an insider's look at the man – his fame, image, artistry and survival. Stephen MacLean follows the fascinating and complex trajectory of Allen's stardom, from his rise through the gender-blurred scramble of the 70s to become part of the popular mainstream, developing as a songwriter in his own right. Out of the spotlight, Allen was held dear by many for his vivacity and humour, and onstage for his powerhouse performances, the trademark high energy tirelessness and camp banter never failing to bring the house down. Allen's life and times are faithfully brought to life through interviews with the people who knew and loved him best.

Joey and Denny have been best friends since kindergarten, and after working together for several years as policemen in Chicago, they are practically family: Joey helps out with Denny's wife and kids; Denny keeps Joey away from the bottle. But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes. A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

I Am My Own Wife is the winner of the 2004 Pulitzer Prize for Drama. From the Obie Award-winning author of Quills comes this acclaimed one-man show, which explores the astonishing true story of Charlotte von Mahlsdorf. A transvestite and celebrated antiques dealer who successfully navigated the two most oppressive regimes of the past century-the Nazis and the Communists--while openly gay and defiantly in drag, von Mahlsdorf was both hailed as a cultural hero and accused of colluding with the Stasi. In an attempt to discern the truth about Charlotte, Doug Wright has written "at once a vivid portrait of Germany in the second half of the twentieth century, a morally complex tale about what it can take to be a survivor, and an intriguing meditation on everything from the obsession with collecting to the passage of time" (Hedy Weiss, Chicago Sun-Times).

Chronicles the creation of Meredith Willson’s The Music Man—reprinted now as the Broadway Edition Composer Meredith Willson described The Music Man as “an Iowan’s attempt to pay tribute to his home state.” Now featuring a new foreword by noted singer and educator Michael Feinstein, this book presents Willson’s reflections on the ups and downs, surprises and disappointments, and finally successes of making one of America’s most popular musicals. Willson’s whimsical, personable writing style brings readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. Fresh admiration of the musical—and the man behind the music—is sure to result.