San Diego Detective Leonard Diggs and his dimwitted partner John Stall crack the case of a lifetime. While Stall’s career takes on an unfathomable trajectory, Diggs is pulled deeper into the mystery that has consumed his life: The brutal cold-case murder of his mother. An out of the blue telephone call from Diggs’ long estranged sister offers potential leads and perhaps a happy reunion, but Diggs’ sister is an enigma and locating her is tangled with criminal impropriety. Regrettable choices and a decades old murder snake through innate sibling loyalty, leading Diggs to an unforeseen destiny. “Botz’s complex plot is brimming with action and intrigue…” – Kirkus Reviews

Matt Conner is sixty-two. He caught the tail end of Vietnam and came home in ?72 full of anger and guilt. Whiskey was Matt's anodyne, and barroom brawls were his way of dealing with the America he felt had betrayed him. When he wasn't drinking and fighting, he worked on a bridge-building crew in Tacoma. He became tough and mean and filled with anguish. And then he met Pam, a hippy from Shreveport who worked in a coffee shop he used to sober up in. An angry vet and a hippy chick?it shouldn't have worked, but it did. They were married for forty years before she died of a liver disease. Pam had given Matt his life back. She?d become his anodyne, and she?d helped to calm the angry spirit inside him. But she was gone now, and Matt, still mourning for her a year later, has a brief affair with Becky, a battered young woman with no one to turn to for help. Their relationship deepens after Matt rescues her from her boyfriend, Eric. Matt still holds old fashioned beliefs. Becky is thirty-six?young enough to be his daughter. He is embarrassed of their relationship and tries to distance himself from it by dating his neighbor who is a three-time widow and closer to his own age. She's had a crush on Matt for several years and used to hit on him even when Pam was still alive. Her name is Faye, and she shares many of the same old-fashioned values that Matt does. Becky's problems, however, are not going away that easy. Her boyfriend, Eric, wants revenge. He recruits help from his connections in the drug world, and Matt Conner finds himself pulled deeper and deeper into a situation he wants no part of, and to make matters worse, his outlet, Faye, seems to have an ulterior motive for her attraction to him. Matt does not want to lose the normal life that Pam had worked so hard to give him, but when Eric and his drug pals make it personal, he resorts to the violence, and the angry spirit of his past to solve the problems of his present.

This book challenges, with several powerful arguments, some of our deepest beliefs about rationality, morality, and personal identity. The author claims that we have a false view of our own nature; that it is often rational to act against our own best interests; that most of us have moral views that are directly self-defeating; and that, when we consider future generations the conclusions will often be disturbing. He concludes that moral non-religious moral philosophy is a young subject, with a promising but unpredictable future.

The Oxford Handbook of Ethical Theory is a major new reference work in ethical theory consisting of commissioned essays by leading moral philosophers. Ethical theories have always been of central importance to philosophy, and remain so; ethical theory is one of the most active areas of philosophical research and teaching today. Courses in ethics are taught in colleges and universities at all levels, and ethical theory is the organizing principle for all of them. The Handbook is divided into two parts, mirroring the field. The first part treats meta-ethical theory, which deals with theoretical questions about morality and moral judgment, including questions about moral language, the epistemology of moral belief, the truth aptness of moral claims, and so forth. The second part addresses normative theory, which deals with general moral issues, including the plausibility of various ethical theories and abstract principles of behavior. Examples of such theories are consequentialism and virtue theory. As with other Oxford Handbooks, the twenty-five contributors cover the field in a comprehensive and highly accessible way, while achieving three goals: exposition of central ideas, criticism of other approaches, and putting forth a distinct viewpoint.

A collection of papers on Contrastive Pragmatics, involving research on interlanguage and cross-cultural perspectives with a focus on second language acquisition contexts.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

The Psychotherapist's Own Psychotherapy: Patient and Clinician Perspectives lifts a curtain that has long shrouded the intimate alliances between therapists and those of their patients who share the same profession. In this unique volume, distinguished contributors explore the multi-faceted nature of the psychotherapy of psychotherapists from "both sides of the couch." The first-person narratives, clinical wisdom, and research findings gathered together in this book offer guidance about providing effective treatments to therapist patients. Part I presents multiple theoretical positions that justify and guide the work of therapists' therapists. In Part II, eminent therapists write eloquently and intimately about their own experiences as patients. Their personal reflections offer valuable insights about what is healing and educational about psychotherapy. These narratives are followed by several chapters reviewing scientific research on therapists in personal therapy, including the first report of relevant findings from a major international survey of psychotherapists. In Part III, celebrated therapists from different theoretical orientations offer guidance on conducting therapy with fellow therapists. They reflect on the many challenges, dilemmas, and rewards that arise when two people do the same work. Their chapters offer wisdom and warnings about such issues as power dynamics, boundary maintenance, therapist self-disclosure, the termination process, and the post-termination phase of the relationship. These first-hand accounts are enhanced by research overviews on coducting personal treatment, including a new study of American therapists commissioned for the book. The Psychotherapist's Own Psychotherapy: Patient and Clinician Perspectives is an essential resource for practitioners and students of all orientations and disciplines.