Although Kamal al-Din Bihzad (1460-1535) is acknowledged to be one of the greatest masters of Persian painting, there has to date been no comprehensive study of his life and work. He flourished during the golden age of artistic achievement in the late Teimurid and early Safavid periods, working in Herat and then in Tabriz. This illustrated book traces the roots of the style developed by Bihzad, its heritage and its legacy in Iran, Mughal India and Ottoman Turkey. The author approaches the subject by attempting to relate the paintings to the stories and themes they portray, thus enabling us to appreciate Bihzad's work in a way that has generally been neglected by Western art historians. Bahari has examined Bihzad's paintings in libraries and collections all over the world and this study brings together a huge body of the work.

An academically acclaimed and globally celebrated cultural critic, Hamid Dabashi is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University. He is the author of a number of highly acclaimed books and articles on Iran, Islam, comparative literature, world cinema, and the philosophy of art, among them Close Up: Iranian Cinema, Past, Present, Future; Dreams of a Nation: On Palestinian Cinema (editor), Iran: A People Interrupted, and Iran without Borders: Towards a Critique of the Postcolonial Nation. He lives with his family in New York City.

This book is the first full-length analysis of the theory and practice of Persian singing, demonstrating the centrality of Persian elements in the music of the Islamic Middle Ages, their relevance to both contemporary and traditional Iranian music and their interaction with classical Persian poetry and metrics.

What is the secret of happiness? What is the nature of love? What makes us good hosts or good guests? What traits should we seek out in friends and seek to embody as friends ourselves? How should we approach the sensual beauties of this world- when do they induce us to error and when are they signs of God? The poets and bards of many traditions have long sought answers to such questions, but perhaps no culture has taken up this challenge with more passionate urgency than that of Persia, from the ninth century AD to modern-day Iran. These eleven centuries of poetic tradition include poets who have become well-known in the West, such as 'Umar Khayyam, Rumi, and Hafiz, as well as many others whom Westerners have yet to discover. In Iran these poems remain part of everyday popular culture, with people of all classes and levels of education able to recite them from memory, even if they may not always be sure who the poets were, where they came from, or what precisely was the spiritual intent behind the verse. In Persian Words of Wisdom, the US-based Iranian scholar Bahman Solati has compiled hundreds of examples reflecting his country's religious and spiritual traditions, especially the Shia branch of Islam and Islamic Sufism, but also the Zoroastrian faith. This bilingual edition with his own English translations further illuminates the sometimes enigmatic poems with parallel Western proverbs, as well as comparison quotations from Christian, Jewish, and Buddhist scripture and secular sources ranging from Mark Twain to Dale Carnegie. One of Solati's goals in this anthology is to build a cultural bridge through poetry between the West and Iran, making these treasures of Persian culture more available both to Westerners generally and, most specifically, to young people of Iranian descent who have grown up in the English-speaking world, perhaps without fully understanding the wealth of their heritage. For them and all readers, this will be a book of discovery.

A Memorandum of Transfer by Jacobus Hooghkamer for Magnus Wighelman, Gambron, 4th of May 1702. In this book, the reader could see the translation of the Memorandum of Transfer plus the transcription of the original 17th century Dutch and the PDF version of the manuscript itself, and few related Persian Manuscripts.