A cutting-edge analysis of 2,500 years of Persian visual, architectural, and material cultures of power and their role in connecting the world. With the rise of the Achaemenid Empire (550–330 BCE), Persian institutions of kingship became the model for legitimacy, authority, and prestige across three continents. Despite enormous upheavals, Iranian visual and political cultures connected an ever-wider swath of Afro-Eurasia over the next two millennia, exerting influence at key historical junctures. This book provides the first critical exploration of the role Persian cultures played in articulating the myriad ways power was expressed across Afro-Eurasia between the sixth century BCE and the nineteenth century CE. Exploring topics such as royal cosmologies, fashion, banqueting, manuscript cultures, sacred landscapes, and inscriptions, the volume’s essays analyze the intellectual and political exchanges of art, architecture, ritual, and luxury material within and beyond the Persian world. They show how Perso-Iranian cultures offered neighbors and competitors raw material with which to formulate their own imperial aspirations. Unique among studies of Persia and Iran, this volume explores issues of change, renovation, and interconnectivity in these cultures over the longue durée.

A cutting-edge analysis of 2,500 years of Persian visual, architectural, and material cultures of power and their role in connecting the world. With the rise of the Achaemenid Empire (550–330 BCE), Persian institutions of kingship became the model for legitimacy, authority, and prestige across three continents. Despite enormous upheavals, Iranian visual and political cultures connected an ever-wider swath of Afro-Eurasia over the next two millennia, exerting influence at key historical junctures. This book provides the first critical exploration of the role Persian cultures played in articulating the myriad ways power was expressed across Afro-Eurasia between the sixth century BCE and the nineteenth century CE. Exploring topics such as royal cosmologies, fashion, banqueting, manuscript cultures, sacred landscapes, and inscriptions, the volume’s essays analyze the intellectual and political exchanges of art, architecture, ritual, and luxury material within and beyond the Persian world. They show how Perso-Iranian cultures offered neighbors and competitors raw material with which to formulate their own imperial aspirations. Unique among studies of Persia and Iran, this volume explores issues of change, renovation, and interconnectivity in these cultures over the longue durée.

The second volume of the Handbook describes different extractive economies in the world regions that have been outlined in the first volume. A wide range of economic actors – from kings and armies to cities and producers – are discussed within different imperial settings as well as the tools, which enabled and constrained economic outcomes. A central focus are nodes of consumption that are visible in the archaeological and textual records of royal capitals, cities, religious centers, and armies that were stationed, in some cases permanently, in imperial frontier zones. Complementary to the multipolar concentrations of consumption are the fiscal-tributary structures of the empires vis-à-vis other institutions that had the capacity to extract, mobilize, and concentrate resources and wealth. Larger volumes of state-issued coinage in various metals show the new role of coinage in taxation, local economic activities, and social practices, even where textual evidence is absent. Given the overwhelming importance of agriculture, the volume also analyses forms of agrarian development, especially around cities and in imperial frontier zones. Special consideration is given to road- and water-management systems for which there is now sufficient archaeological and documentary evidence to enable cross-disciplinary comparative research.

This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries. “There was money in the air, ever so much money,” wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic? Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of wellknown international firms like Duveen Brothers, M. Knoedler & Co., and Goupil & Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.

This pioneering study examines a pivotal period in the history of Europe and the Near East. Spanning the ancient and medieval worlds, it investigates the shared ideal of sacred kingship that emerged in the late Roman and Persian empires. Bridging the traditional divide between classical and Iranian history, this book brings to life the dazzling courts of two global powers that deeply affected the cultures of medieval Europe, Byzantium, Islam, South Asia, and China.

Interaction with religions was one of the most demanding tasks for imperial leaders. Religions could be the glue that held an empire together, bolstering the legitimacy of individual rulers and of the imperial enterprise as a whole. Yet, they could also challenge this legitimacy and jeopardize an empire's cohesiveness. As empires by definition ruled heterogeneous populations, they had to interact with a variety of religious cults, creeds, and establishments. These interactions moved from accommodation and toleration, to cooptation, control, or suppression; from aligning with a single religion to celebrating religious diversity or even inventing a new transcendent civic religion; and from lavish patronage to indifference. The volume's contributors investigate these dynamics in major Eurasian empires--from those that functioned in a relatively tolerant religious landscape (Ashokan India, early China, Hellenistic, and Roman empires) to those that allied with a single proselytizing or non-proselytizing creed (Sassanian Iran, Christian and Islamic empires), to those that tried to accommodate different creeds through "pay for pray" policies (Tang China, the Mongols), exploring the advantages and disadvantages of each of these choices.

The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe’s distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, nineteenth-century photographers were able to mass-produce images to incite and satisfy the demands of the region’s burgeoning tourist industry and the appetites of armchair travelers in Europe. In this way, the evolution of modern photography fueled an interest in visual contact with the rest of the world. Photography’s Orientalism offers the first in-depth cultural study of the works of European and non- European photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond. The essays explore the relationship between art and politics by considering the connection between the European presence there and aesthetic representations produced by traveling and resident photographers, thereby contributing to how the history of photography is understood.