Persephone in the Late Anthropocene vaults an ancient myth into the age of climate change. In this poetry collection, the goddess of spring now comes and goes erratically, drinks too much, and takes a human lover in our warming, unraveling world. Meanwhile, Persephone's mother searches for her troubled daughter, and humanity is first seduced by the unseasonable abundance, then devastated by the fallout, and finally roused to act. This ecopoetic collection interweaves the voices of Persephone, Demeter, and a human chorus with a range of texts, including speculative cryptostudies that shed light on the culture of the "Late Anthropocene." These voices speak of decadence and blame, green crabs and neonicotinoids, mysteries and effigies. They reckon with extreme weather, industrialized plenty, and their own roles in ecological collapse. Tonally, the poems of this book range between the sublime and the profane; formally, from lyric verse and modern magical-realist prose poems to New Farmer's Almanac riddles and pop-anthropology texts. At the heart of this varied and inventive collection is story itself, as Demeter deconstructs "whodunits," as the chorus grasps that mythmaking is an act of "throwing their voices," and as their very language mirrors the downward spiral of destruction. Together, the collected pieces of Persephone in the Late Anthropocene form a narrative prism, exploring both environmental crisis and the question of how we tell it.

Bernard A. Booker, wry old Maine codger and unofficial mayor of Ell Pond, is the subject of Booker's Point, an oral history-inspired portrait-in-verse. Weaving storytelling, natural history, and the poetry of place, the collection evokes the sensibility of rural New England and the pleasures of a good story. "Grumbling is subtle, conjures the natural world richly and convincingly, and her subject matter is surprising and intriguing. I also admire how she handles meter."—Morri Creech, judge and author of Sleep of Reason

Music and the Environment in Dystopian Narrative: Sounding the Disaster investigates the active role of music in film and fiction portraying climate crisis. From contemporary science fiction and environmental film to “Anthropocene opera,” the most arresting eco-narratives draw less on background music than on the power of sound to move fictional action and those who receive it. Beginning with a reflection on a Mozart recording on the 1970s’ Voyager Golden Record, this book explores links between music and violence in Lidia Yuknavitch’s 2017 novel The Book of Joan, songless speech in the opera Persephone in the Late Anthropocene, interrupted lyricism in the eco-documentary Expedition to the End of the World, and dread-inducing hurricane music in the Brecht-Weill opera Rise and Fall of the City of Mahagonny. In all of these works, music allows for a state of critical vulnerability in its hearers, communicating planetary crisis in an embodied way.

Make Me, Lisa Stathoplos’ searingly honest and dark humored memoir explores how one comes to be. Comes to live in their own skin; exist in their very bones. In 1958 Lisa landed on this earth with a whack and a wail and a highly uncomfortable feeling that she shouldn’t be here. Regardless, here she is. Born into a fusion of the French and the Greeks, Lisa’s wickedly smart and loving family nurtures her from fussy baby, “moody” child, into a passionate, rebellious young woman. Set in the beauty of Southern Maine, with a few forays to the Caribbean, the Atlantic shipping lanes and Greece, Make Me is both as tempestuous and tranquil as the sea when Lisa takes us on her voyage toward acceptance and authenticity. Her stories of growing up Catholic, coming of age beside the turbulent Atlantic Ocean, discovering dance, her activism and becoming a successful professional actor as well as a fishwife, are fraught, rewarding and often hysterically funny. Make Me follows Lisa’s memories in and out of chronological time, landing on the significant ones that shaped her most of all. The language is crisply straightforward, hauntingly witty, and emotionally fathomless. Make Me is an oceanic ride into Lisa’s very soul and should be read by anyone who is becoming who they truly are or has already arrived.

Dayna Patterson has produced a book obsessed with motherhood and daughterhood, ancestry, and transition--of home, family, faith, and the narratives woven to uphold the Self. In her debut collection of poetry and lyric essay, Patterson grapples with a patriarchal and polygamous heritage. After learning about her mother's bisexuality, Patterson befriends doubt while simultaneously feeling the urge to unearth a feminist theology, one that envisions God the Mother taking pride in her place at the banquet table.

Publishes original reports of studies in all areas of abnormal development and related fields. It also welcomes reviews of topics of current significance and letters discussing papers that have appeard in Teratology or that deal with controversial scientific matters of interest to its readers.

In the essays and lectures here titled Neganthropocene, Stiegler opens an entirely new front moving beyond the dead-end "banality" of the Anthropocene. Stiegler stakes out a battleplan to proceed beyond, indeed shrugging off, the fulfillment of nihilism that the era of climate chaos ushers in. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.