En route to a job in the asteroid belt, the transport ship that Jonathan and Gaby are travelling on is required to give assistance to a space station in trouble. Astoria Station stopped responding to everything except automated messages. Jonathan and Gaby, familiar with disease and habitat collapse, offer to help. But not even they are prepared for what they find, or the efforts by some to sweep it under the carpet.

If Miran had princesses, Ellisandra Takumar would be one. Smart, pretty, engaged to a high-profile man, everything a high-class Mirani woman should be. But things are not well in Miran. Many years of boycotts have taken their toll on society, and the regime becomes more desperate to keep its citizens under control. Revolt is brewing. As director of the state theatre, Ellisandra has been asked to stage a violent traditional play which stands stiff with threatening political messages for the populace. She hates it, but speaking out would risk that she'd be cast out from the only world she's ever known. Next to her house is the burnt ruin of the house of another high-class family, the Andrahar family. They fled Miran for political reasons when Ellisandra was a little girl and the house has lain untouched ever since. One night, she spots a mysterious young man walking around the yard, putting out pegs and pieces of string. He's re-building the house. That makes no sense, because the family is no longer welcome in Miran, and who is he anyway? She is curious and investigates. He seems too good-natured and naïve for his own good, so rather than telling her brothers, she tries to shield him from her own society. And so starts the slide that leads to her being cast out from the only life she's ever known. space opera, science fiction series, aliens, mystery, adventure, alien planet, scifi, sci fi, patty jansen

Tina and her crew finally arrive on Olympus, the world that holds the Federacy Assembly. Her initial plan was to go there to present the data the left in a locker on Kelso Station fifteen years earlier, but many things have changed. For one, rather than wait for someone else to do it, she and the scientists they collected at Aurora Station have been working on a cure for the infection that turns people into grey-skinned mutant pirates. Secondly, they're bringing a stricken war ship and a few of its remaining crew members who were rescued from pirate captivity. Little has gone to plan. After a few attempts, they don't yet have a cure. And while the infection does horrendous things to people besides giving them a long, but miserable, life, it seems that the only way it spreads is through human intervention. Tina and her friends are about to make a few discoveries about power, who wields it, and how it is used in this conclusion to the Project Charon series. The betrayal runs much deeper than anyone has predicted. Those in power are not going to take their uncovering lying down.