This work expands traditional conceptions of the Enlightenment by examining the roles of wonder and Jesuit missionary conceptions of the Enlightenment by examining the century in a production of knowledge that serves both intellectual and religious functions.

Analyzing more than 150 historical maps, this book traces the Jesuits’ significant contributions to mapping and mapmaking from their arrival in the New World. In 1540, in the wake of the tumult brought on by the Protestant Reformation, Saint Ignatius of Loyola founded the Society of Jesus, also known as the Jesuits. The Society’s goal was to revitalize the faith of Catholics and to evangelize to non-Catholics through charity, education, and missionary work. By the end of the century, Jesuit missionaries were sent all over the world, including to South America. In addition to performing missionary and humanitarian work, Jesuits also served as cartographers and explorers under the auspices of the Spanish, Portuguese, and French crowns as they ventured into remote areas to find and evangelize to native populations. In Encounters in the New World, Mirela Altic analyzes more than 150 of their maps, most of which have never previously been published. She traces the Jesuit contribution to mapping and mapmaking from their arrival in the New World into the post-suppression period, placing it in the context of their worldwide undertakings in the fields of science and art. Altic’s analysis also shows the incorporation of indigenous knowledge into the Jesuit maps, effectively making them an expression of cross-cultural communication—even as they were tools of colonial expansion. This ambiguity, she reveals, reflects the complex relationship between missions, knowledge, and empire. Far more than just a physical survey of unknown space, Jesuit mapping of the New World was in fact the most important link to enable an exchange of ideas and cultural concepts between the Old World and the New.

In recent decades, the international recognition of Nobel Laureate Gabriel García Márquez has placed Colombian writing on the global literary map. A History of Colombian Literature explores the genealogy of Colombian poetry and prose from the colonial period to the present day. Beginning with a comprehensive introduction that charts the development of a national literary tradition, this History includes extensive essays that illuminate the cultural and political intricacies of Colombian literature. Organized thematically, these essays survey the multilayered verse and fiction of such diverse writers as José Eustacio Rivera, Tomás Carrasquilla, Alvaro Mutis, and Darío Jaramillo Agudelo. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of colonialism and multiculturalism in Colombian literature. This book is of pivotal importance to the development of Colombian writing and will serve as an invaluable reference for specialists and students alike.

This book examines how non-fictional travel accounts were rewritten, reshaped, and reoriented in translation between 1750 and 1850, a period that saw a sudden surge in the genre's popularity. It explores how these translations played a vital role in the transmission and circulation of knowledge about foreign peoples, lands, and customs in the Enlightenment and Romantic periods. The collection makes an important contribution to travel writing studies by looking beyond metaphors of mobility and cultural transfer to focus specifically on what happens to travelogues in translation. Chapters range from discussing essential differences between the original and translated text to relations between authors and translators, from intra-European narratives of Grand Tour travel to scientific voyages round the world, and from established male travellers and translators to their historically less visible female counterparts. Drawing on European travel writing in English, French, German, Spanish, and Portuguese, the book charts how travelogues were selected for translation; how they were reworked to acquire new aesthetic, political, or gendered identities; and how they sometimes acquired a radically different character and content to meet the needs and expectations of an emergent international readership. The contributors address aesthetic, political, and gendered aspects of travel writing in translation, drawing productively on other disciplines and research areas that encompass aesthetics, the history of science, literary geography, and the history of the book.

LONGLISTED FOR THE WAINWRIGHT PRIZE The collected writings from one of the nation's most celebrated nature writers. 'Barkham is an outstanding author.' CHRIS PACKHAM 'Wonder-filled . . . A treat. Patrick knows how to tell a good story, and that combination of kindness, wonder and good fortune that seems to be present in his own life shines through.' CAUGHT BY THE RIVER What is happening to nature? What are we as a species doing about it? What have we learned? Wild Green Wonders paints a portrait of contemporary wildlife, bearing witness to the many changes imposed upon the planet and the challenges lying ahead for the future of nature. From peregrine falcons nesting by the Thames to a conversation with Sir David Attenborough; from protests against the HS2 railway to an encounter with Britain's last lion tamer, this collection - drawn from twenty years' worth of Patrick Barkham's writing for the Guardian - forms a joyful, fascinating and enlightening chronicle of one of the nation's most celebrated nature writers. 'Outstanding nature journalism.' HORATIO CLARE 'A heralded nature writer.' THE TIMES 'A lovely, fluid writer.' DAILY MAIL

Uses the cartographic theory to examine the left periphery of the English clause and compare it to the left-peripheral structures of other languages.

The "Jacobin" novel was labeled as such in Britain because of its supposed connections to the French Revolution. This book takes an in-depth look at these novels, written between 1790 and 1805. She centers on the group surrounding Wollstonecraft and Godwin, although not exclusively, exploring the limits of their philosophy of human rights and personal subjectivity. Unlike other recent scholars, the author treats both male and female writers, making feminism an aspect of the work but not the overriding one. While the novels are the main focus, other work by the writers is considered as it pertains to their beliefs. She also discusses the reaction from those who defined the "Jacobins" by opposing them.