Prose fiction, although not always associated with classical antiquity, flourished in the early Roman Empire, not only in realistic Latin novels but also and indeed principally in the Greek ideal romance of love and adventure. Enormously popular in the Renaissance, these stories have been less familiar in later centuries. Translations of the Greek stories were not readily available in English before B.P. Reardon’s first appeared in 1989.Nine complete stories are included here as well as ten others, encompassing the whole range of classical themes: romance, travel, adventure, historical fiction, and comic parody. A foreword by J.R. Morgan examines the enormous impact this groundbreaking collection has had on our understanding of classical thought and our concept of the novel.

In der 1968 gegründeten Reihe erscheinen Monographien aus den Gebieten der Griechischen und Lateinischen Philologie sowie der Alten Geschichte. Die Bände weisen eine große Vielzahl von Themen auf: neben sprachlichen, textkritischen oder gattungsgeschichtlichen philologischen Untersuchungen stehen sozial-, politik-, finanz- und kulturgeschichtliche Arbeiten aus der Klassischen Antike und der Spätantike. Entscheidend für die Aufnahme ist die Qualität einer Arbeit; besonderen Wert legen die Herausgeber auf eine umfassende Heranziehung der einschlägigen Texte und Quellen und deren sorgfältige kritische Auswertung.

This volume offers the first comprehensive treatment of how the five canonical Greek novels represent slaves and slavery. In each novel, one or both elite protagonists are enslaved, and Owens explores the significance of the genre’s regular social degradation of these members of the elite. Reading the novels in the context of social attitudes and stereotypes about slaves, Owens argues for an ideological division within the genre: the earlier novelists, Xenophon of Ephesus and Chariton, challenge and undermine elite stereotypes; the three later novelists, Longus, Achilles Tatius, and Heliodorus, affirm them. The critique of elite thinking about slavery in Xenophon and Chariton opens the possibility that these earlier authors and their readers included literate ex-slaves. The interests and needs of these authors and their readers shaped the emerging genre and not only made the protagonists’ slavery a key motif but also made slavery itself a theme that helped define the genre. The Representation of Slavery in the Greek Novel will be of interest not only to students of the ancient novel but also to anyone working on slavery in the ancient world.

Death comes for us all in the end. But it does not always come in a way you might expect. Throughout history there have been people who have suffered extraordinary, unusual, and downright weird demises. In Strange Ways to Die in History you will find out about the true stories behind unlikely stories of bizarre accidents, assassinations, and misadventures. Did a playwright really die from a tortoise being dropped on his head by an eagle? Why did an English vicar end up being eaten by lions? And what are the chances of fatality from falling into a toilet? Looking at the lives that came before the deaths reveals some of histories most fascinating individuals. Some of those examined are well known. Some are remembered only for the odd way they departed this life. Some have been forgotten entirely. Sometimes how a person dies, and how history has recorded the event, can tell us a lot about society and how we remember. This book uncovers eye-witnesses to the deaths described and contemporary reports from those who were left behind.

Philosophers wittily and expertly uncover amazing philosophical insights from the endlessly fascinating TV show, It’s Always Sunny in Philadelphia. Littmann shows how the values of the gang are the same as those of Homeric heroes. Ketcham argues that the Church should make Charlie a saint, partly because It’s Always Sunny is “all about free will.” Hamer shows how closely the gang’s activities comply with the scientific method. Alkema and Barkman analyze the way the gang perceives happiness and how they try to get it. Leonard proves beyond doubt that the game of Chardee MacDennis reveals everyone's unconscious desires. King examines the morality of the gang’s behavior by the standard of how they respond to extreme suffering. Chambers agrees that each of the five central characters is a terrible person, but argues that, given their circumstances, they are not truly to blame for their actions. Tanswell demonstrates that many of the gang’s wrong actions result not from immoral motives but from illogical thinking. Aylesworth uses examples from It’s Always Sunny to bring out some of the moral problems with real consent to sex. Jones reveals that Nietzsche foresaw everything the gang at Paddy's Pub would do.

A collection of obscure facts, impressive achievements, despicable crimes, bizarre records, unforgettable films and more from the authors of listverse.com. Discover bizarre facts, amazing trivia, astonishing mysteries, natural wonders, little-known people, useful tips and much more in this mammoth bathroom reader. From crime, movies and music to science, history and literature, this book offers an incredible array of intriguing top-ten lists, including: • Urban Legends—Debunked • Influential People Who Never Lived • Ancient Methods of Execution • Poisonous Foods We Love to Eat • Inventions of the Middle Ages • Gruesome Fairytale Origins • Secret Societies • Amazing Film Swordfights • Bizarre Animal Mating Rituals • Misconceptions About Evolution • Tips for Frugal Living • Fascinating Graveyards You Must See

Søren Kierkegaard, the nineteenth-century Danish philosopher rediscovered in the twentieth century, is a major influence in contemporary philosophy, religion, and literature. He regarded Either/Or as the beginning of his authorship, although he had published two earlier works on Hans Christian Andersen and irony. The pseudonymous volumes of Either/Or are the writings of a young man (I) and of Judge William (II). The ironical young man's papers include a collection of sardonic aphorisms; essays on Mozart, modern drama, and boredom; and "The Seducer's Diary." The seeming miscellany is a reflective presentation of aspects of the "either," the esthetic view of life. Part II is an older friend's "or," the ethical life of integrated, authentic personhood, elaborated in discussions of personal becoming and of marriage. The resolution of the "either/or" is left to the reader, for there is no Part III until the appearance of Stages on Life's Way. The poetic-reflective creations of a master stylist and imaginative impersonator, the two men write in distinctive ways appropriate to their respective positions.