Silver Medalist, 2012 Independent Publisher Book Awards in the Women's Issues category Honorable Mention, 2011 ForeWord Book of the Year in the Women's Issues Category Although conventional wisdom holds that women in the United States today are more sexually liberated than ever before, a number of startling statistics call into question this perceived victory: over half of all women report having faked orgasms; 45 percent of women find rape fantasies erotic; a growing number of women perform same-sex eroticism for the viewing benefit of men; and recent clinical studies label 40 percent of women as "sexually dysfunctional." Caught between postsexual revolution celebrations of progress and alarmingly regressive new modes of disempowerment, the forty women interviewed in Performing Sex offer a candid and provocative portrait of "liberated" sex in America. Through this nuanced and complex study, Breanne Fahs demonstrates that despite the constant cooptation of the terms of sexual freedom, women's sexual subjectivities—and the ways they continually grapple with shifting definitions of liberation—represent provocative spaces for critical inquiry and personal discovery, ultimately generating novel ways of imagining and reimagining power, pleasure, and resistance.

This is a book about the exhilaration and the catastrophe of embodiment. Analyzing different instances of injured bodies, Peggy Phelan considers what sustained attention to the affective force of trauma might yield for critical theory. Advocating what she calls "performative writing", she creates an extraordinary fusion of critical and creative thinking which erodes the distinction between art and theory, fact and fiction. The bodies she examines here include Christ's, as represented in Caravaggio's painting The Incredulity of St Thomas, Anita Hill's and Clarence Thomas's bodies as they were performed during the Senate hearings, the disinterred body of the Rose Theatre, exemplary bodies reconstructed through psychoanalytic talking cures, and the filmic bodies created by Tom Joslin, Mark Massi, and Peter Friedman in Silverlake Life: The View From Here. This new work by the highly-acclaimed author of Unmarked makes a stunning advance in performance theory in dialogue with psychoanalysis, queer theory, and cultural studies.

In making love, one is elevated beyond the carnal desires it satisfies. For the religious, it is Divine; for those who are not religiously inclined, it is still a spiritual experience, one of seamless solidarity, a unity of two as one that defies mere orgasmic stimulation. You don’t have to make love to have sex. Even strangers can be sexually attracted and have an orgasmic escapade. But in the act of making love, there is symbolic meaning that is felt through-and-through the sex act. Two in love are joined, in life, and the sexual expression of this unison is deeply felt in the sex act itself. This is sexual intimacy, the making of love, the likes of which is rarely, if ever, seen outside a loving relationship. There is no escape from the philosophical dimensions of such a loving relationship. It is as abstract as it is concrete in the ideals that ground it. There is a mystery about it, a kind of transcendent experience that defies translation into words. Making and being in love are thus joined at the hip. Loving relationships make the bed in which true lovers sleep. Unfortunately, many relationships flounder or never get off the ground. Just having sex may ease the tension, but it then becomes a means, not truly an end-in-itself. The moment the sex act ends, the couple may retreat and fall into discord. It is an oasis in a barren desert that provides temporary relief, a titillating, temporary escape from reality. This book can help you to overcome the obstacles, the unlovable habits that encumber your relationship, both inside and outside the bedroom. It can help to create the harmonic balance between your sex life and other aspects of your personal and interpersonal relationships, which are preludes to making and being in love. To accomplish this, it applies a five-step method based on Logic-Based Therapy & Consultation (LBTC), a popular form of evidence-based, philosophical counseling modality. First, it introduces you to six types of unlovable ways of thinking and acting and helps you to identify the ones that may be sabotaging your own relationship. Second, it shows you how to counter these self-defeating habits with certain lovable goals (“virtues of love”). Third, it helps you to identify and embrace a personal “love philosophy” that empowers you to reach for your lovable goals. Fourth, it provides core philosophical ideas that are key to any successful quest for romantic love. Fifth, it helps you construct a behavioral plan that applies your philosophies to making constructive changes in your relationship. The latter may require making changes both inside and outside your relationship. Thus, this book also shows you how the problems you are having in one area of your life (at work, in your social life, etc.) can affect the quality of your relationship, inside and outside the bedroom, and it offers guidance, including self-improvement exercises, to overcome these impediments and attain enduring love and sexual intimacy.

Exploring the Dimensions of Human Sexuality, Fourth Edition addresses all aspects of sexuality—biological, spiritual, psychological, and sociocultural—and presents the information both factually and impartially.Throughout the text, students will find an emphasis on health and well-being based on the assumption that we are all sexual beings and that sexuality should be viewed in its totality. Students are encouraged to explore the varied dimensions of human sexuality and see how each affects their own personal sexuality, sexual health, and sexual responsibility.

Film audiences have grown used to seeing female characters in "performance roles," singing or dancing on stages in nightclubs, musical arenas, or theaters--performing their "femaleness" for the fictional audience as well as the film viewing audience. But queer women in film perform on yet another level. In addition to performing their gender for the world, they also perform their sexuality for either a general or an "insider" audience, in ways that can be read to establish a queer visibility, to establish a sense of community, or to show romantic lesbian interest. This work examines "performance spaces" for lesbian identities in films, evaluating how queer femaleness is signified in contemporary cinema. It studies five films in particular: When Night Is Falling, Better Than Chocolate, Tipping the Velvet, Slaves to the Underground, and Prey for Rock and Roll. Through close textual analysis, evaluations of the conditions under which each film was produced and received, and dozens of audience surveys, it reveals much about both the story worlds of the films and the ways that queer women react to and feel about them.

From playground games of " chase and kiss" to rough-and-tumble soccer games, from slumber party stripteases to romantic fantasies behind closed doors, author Sharon Lamb coaxes out girls' true stories with uncommon sensitivity and focus. The result of more than 125 fascinating interviews with pre-teens, teenagers, and adult women, The Secret Lives of Girls reveals the ways that girls use their minds and bodies for private sexual play, mischief, and hidden aggression. To truly understand what little girls are made of, Lamb suggests, we must listen not only to what they say to us but also to what they don't say, taking into account their hidden selves and the lives that we adults don't see. Yes, girls are known to be " good, " but they manage to act out in decidedly ungirlish ways and, despite many parents' fears, be the better for it. What's most remarkable about Lamb's conclusions is that we needn't join the chorus of voices deploring a " girl-poisoning" culture for damaging our daughters. Instead, Lamb finds reason to celebrate girls' resilience in the face of pressures to conform -- and she does it by l

Drawing on more than fifty interviews in both the US and the Netherlands, Wendy Chapkis captures the wide-ranging experiences of women performing erotic labor and offers a complex, multi-faceted depiction of sex work. Her expansive analytic perspective encompasses both a serious examination of international prostitution policy as well as hands-on accounts of contemporary commercial sexual practices. Scholarly, but never simply academic, this book is explicitly grounded in a concern for how competing political discourses work concretely in the world--to frame policy and define perceptions of AIDS, to mobilize women into opposing camps, to silence some agendas and to promote others.