Since the publication of the second edition in 2010, the field of sex work studies has expanded. This fully updated edition of Sex for Sale: Prostitution, Pornography, and Erotic Dancing presents an innovative, in-depth, and nuanced analysis of sex work, its risks, and benefits, and pays attention to newer and everchanging types of sex work and its actors, as well as public policies and laws that govern its trade. Now in its third edition, this volume includes updated research on traditional forms of sexual labor and incorporates original, empirically grounded research on newer or less researched phenomena. New chapters explore the use of technology among street sellers, blurring the line between street and online solicitation, in addition to chapters on historical prostitution, transgender workers, illicit massage parlors, male strippers, commercial webcamming, alternative policies and legal systems, and the sex workers' rights movement. The combination of cutting-edge and comprehensive analyses and carefully constructed methodologies in Sex for Sale makes it an excellent source of information for scholars and university students in gender studies, sociology, and criminology.

The sex industry is an endless source of prurient drama for the mainstream media. Recent years have seen a panic over "online red-light districts," which supposedly seduce vulnerable young women into a life of degradation, and New York Times columnist Nicholas Kristof's live tweeting of a Cambodian brothel raid. The current trend for writing about and describing actual experiences of sex work fuels a culture obsessed with the behaviour of sex workers. Rarely do these fearful dispatches come from sex workers themselves, and they never seem to deviate from the position that sex workers must be rescued from their condition, and the industry simply abolished-a position common among feminists and conservatives alike. In Playing the Whore, journalist Melissa Gira Grant turns these pieties on their head, arguing for an overhaul in the way we think about sex work. Based on ten years of writing and reporting on the sex trade, and grounded in her experience as an organizer, advocate, and former sex worker, Playing the Whore dismantles pervasive myths about sex work, criticizes both conditions within the sex industry and its criminalization, and argues that separating sex work from the "legitimate" economy only harms those who perform sexual labor. In Playing the Whore, sex workers' demands, too long relegated to the margins, take center stage: sex work is work, and sex workers' rights are human rights.

The eighteenth century saw profound changes in the way prostitution was represented in literary and visual culture. This collection of essays focuses on the variety of ways that the sex trade was represented in popular culture of the time, across different art forms and highlighting contradictory interpretations.

The Wayward Woman takes a fresh look at the Progressive Era, recasting the turn-of-the-century debate on gender roles and prostitution. Recapitulating and transcending extant studies of female delinquency, prostitution literature, and Progressive womanhood, this work understands “female waywardness” as the critical intersection between the rise of female emancipation and the panic inspired by the period’s obsession with sexual enslavement. Concurrently, it explores the Progressive ambivalence about compassion and control which unfolded alongside a war on prostitution that traversed the realms of law, medicine, literature and politics. Drawing on theories of performativity the author develops “the wayward woman” as a capacious analytical category that encompasses all women who, countering the residual injunction of domesticity, brought new forms of femininity into the light of the public sphere: the activist, the professional and the divorcee, but also the female breadwinner, the charity girl and the urban woman of color––among many others. The book investigates the continuum of waywardness that stretches from the high-minded New Woman to the ever-victimized “white slave” as a cultural battlefield where numerous women stepped across the boundaries of class, race and respectability to claim new public personas. At the same time it reads the preoccupation with white slavery both as a symptom of and an antidote to this wave of change. Through an innovating collection of sources which brings together sociological writings, novels, plays, movies and legal documents, the book rearticulates the tensions of the Progressive Era between gender roles, blackness and whiteness, reformers and reformed, the citizens and the state. The Wayward Woman will be of much interest to students and scholars in the fields of American studies, women studies and performance studies.

Drawing on more than fifty interviews in both the US and the Netherlands, Wendy Chapkis captures the wide-ranging experiences of women performing erotic labor and offers a complex, multi-faceted depiction of sex work. Her expansive analytic perspective encompasses both a serious examination of international prostitution policy as well as hands-on accounts of contemporary commercial sexual practices. Scholarly, but never simply academic, this book is explicitly grounded in a concern for how competing political discourses work concretely in the world--to frame policy and define perceptions of AIDS, to mobilize women into opposing camps, to silence some agendas and to promote others.

Prostitution is still the subject of intense controversy among feminists but theoretical and political analyses are often only loosely grounded in empirical research. This book offers new perspectives on prostitution based on wide-ranging research in nine countries and extensive work with prostitute users.