This interdisciplinary study analyzes the ways in which signs of masculinity have been performed across a wide variety of contexts and genres - including literature, classical ballet, sports, rock music, films and computer games - from the early nineteenth century to the present day.

This is a remarkable set of linked essays on the African American male experience. Alexander picks a number of settings that highlight Black male interaction, sexuality, and identity_the student-teacher interaction, the black barbershop, drag queen performances, the funeral eulogy. From these he builds a theory of Black masculine identity using auto-ethnography and ideas of performance as his base.

Geir Henning Presterudstuen provides an ethnographic account of howmen in the multicultural urban centres of Fiji perceive, construct andperform masculinities in the context of rapid social change. Theoreticallyinformed by critical feminist theories, postcolonialism, R.W. Connell’s workon masculinities and a Bourdieuan conceptualization of the body, thisbook explores how notions of masculinity, manhood and the male bodyare shaped by the conflicting social forces of Fijian tradition, modernity,commercialization and urbanization.The book provides a timely intervention, from the grassroots level in theglobal south, into an ongoing discourse about men and masculinities thathas long been dominated by voices from Europe and the US. Combiningclassic ethnography with innovative social analysis, Presterudstuen’sbook is suitable for students and academics with an interest in genderand social change, and for scholars across a variety of disciplinesincluding anthropology, gender studies, sociology, pacific studies andinternational development.

In Male Impersonators, Mark Simpson explores the range of male life and masculinity, posing witty and important questions about bodybuilding, tattoos, pornography, cruising, advertising, and team sports. Simpson looks at how gay men appropriate the skinhead phenomenon and why; how Marky Mark exploits the hustler mystique and what it says to gay and straight men; how the Men's movement is being sought out by men--straight or gay--who feel alienated from a macho culture, and compares the participation and reactions of men to various "manly pursuits." Throughout, Male Impersonators examines the roles of homoeroticism and narcissism in the male world, and the performativity of masculinity itself.

This interdisciplinary study analyzes the ways in which signs of masculinity have been performed across a wide variety of contexts and genres - including literature, classical ballet, sports, rock music, films and computer games - from the early nineteenth century to the present day.

Elwood Watson is Professor of History, African Studies, and Gender Studies at East Tennessee State University. --

An intimate, urgent and riotous account of masculinity, whiteness, queerness and belief in America In winter 2018, Gregg Bordowitz performed a three-part lecture series at the New Museum as part of Trigger: Gender as a Tool and a Weapon. Each evening, he explored an avatar of masculinity that was formative to him as he came of age as an outer-borough child of Jewish immigrants, then as an artist-activist in Manhattan at the dawn of the AIDS crisis: the rock star, the rabbi and the comedian. He merged personal and political history, ribald humor and social criticism, performer and persona. Some Styles of Masculinity is a self-portrait and an essay on upheaval and plague, based on transcripts of the eponymous series, which Bordowitz has reimagined for the page. He asserts that gender can't be separated from ethnicity, sexuality, class or nationality, and he connects these aspects of himself through personal anecdotes as well as reflections on whiteness, diaspora, comedy and Jewish mysticism. Some Styles of Masculinity evokes David Antin's "talk poems," Maggie Nelson's "autotheory," David France's How to Survive a Plague and Wayne Koestenbaum's casually erudite criticism. This book is a winding, intimate, urgent, freewheeling account of thinking and enduring in difficult times. Gregg Bordowitz (born 1964) is the author of Glenn Ligon: Untitled (I Am a Man) (2018), General Idea: Imagevirus (Afterall Books, 2010) and The AIDS Crisis Is Ridiculous and Other Writings, 1986-2003 (2004). He was an early participant in ACT UP (AIDS Coalition to Unleash Power), where he cofounded several video collectives.