Titles: * The Boogie Man * A Change in Scenery * Chattanooga Choo Choo * Don't Fence Me In * Embraceable You * Fire and Ice * New Orleans Blues * No More Blues * The Pink Panther * Rock 'r' Roll Boogie * Spots Before My Eyes * Three Swingy Boatmen.

Titles are: Amblin' Ramblin' Dude * C Jam Blues * Hard Hearted Hannah * Hesitation Rag * Hidden Charms * A Jazz Mood * Mack the Knife * Mirage * Moon Mist * Night and Day * A Thoughtful Moment * Tick Tock Rag * Tired Blues * Two-in-One-Hop Boogie.

Performance Plus is an online performance benchmarking tool offered by Industry Canada. The tool allows small businesses to judge how they compare to their competitors. Industry Canada offers a sample case, a glossary, and instructions on how to use Performance Plus and how to build a profile.

Ten titles, including: Barcarolle (from The Tales of Hoffman) (Offenbach) * Intermezzo (from Cavalleria Rusticana) (Mascagni) * La Ci Darem La Mano (from Don Giovanni) (Mozart) * March of the Toreadors (from Carmen) (Bizet) * Pomp and Circumstance (Elgar) * The Sorcerer's Apprentice (Dukas) and more.

Contains: Angel Eyes * Desperado * From a Distance * The Greatest Love of All * I Cross My Heart * I Swear * Lane's Theme (from 8 Seconds) * Open Arms * Tears in Heaven * The Wind Beneath My Wings.

The eight titles are: All for Love * Exhale (Shoop Shoop) * Theme from Ice Castles (Through the Eyes of Love) * I Swear * I Will Always Love You (from The Bodyguard) * Now and Forever * Open Arms * Words Get in the Way.

New York City has always been a mecca in the history of jazz, and in many ways the city’s jazz scene is more important now than ever before. Blowin’ the Blues Away examines how jazz has thrived in New York following its popular resurgence in the 1980s. Using interviews, in-person observation, and analysis of live and recorded events, ethnomusicologist Travis A. Jackson explores both the ways in which various participants in the New York City jazz scene interpret and evaluate performance, and the criteria on which those interpretations and evaluations are based. Through the notes and words of its most accomplished performers and most ardent fans, jazz appears not simply as a musical style, but as a cultural form intimately influenced by and influential upon American concepts of race, place, and spirituality.