This book is the first edited collection to respond to an undeniable resurgence of critical activity around the controversial theoretical term ‘interculturalism’ in theatre and performance studies. Long one of the field’s most vigorously debated concepts, intercultural performance has typically referred to the hybrid mixture of performance forms from different cultures (typically divided along an East-West or North-South axis) and its related practices frequently charged with appropriation, exploitation or ill-founded universalism. New critical approaches since the late 2000s and early 2010s instead reveal a plethora of localized, grassroots, diasporic and historical approaches to the theory and practice of intercultural performance which make available novel critical and political possibilities for performance practitioners and scholars. This collection consolidates and pushes forward reflection on these recent shifts by offering case studies from Asia, Africa, Australasia, Latin America, North America, and Western Europe which debate the possibilities and limitations of this theoretical turn towards a ‘new’ interculturalism.

Performance is a hugely important area of web development. If your site runs slowly, users are going to leave, and the problem only grows as your site gets more popular. Pro JavaScript Performance gives you the tools you need to keep your sites smooth and responsive no matter how many users you have. Best practices are changing or becoming redefined continually because of changes and optimizations at the interpreter level, and differences in system configuration, and network speeds. This is exacerbated by the quickened release schedule that most browsers have adopted. Just as important as following best practices is the ability to measure your own performance, so that you can adjust as times change, and so that you can note the subtle nuances in your own code and define your own best practices by your own observations. This book gives you the tools to observe and track the performance of your web applications over time from multiple perspectives, so that you are always aware of, and can fix, all aspects of your performance.

Directed by Donald Cammell and Nicolas Roeg, and starring James Fox, Mick Jagger and Anita Pallenberg, Performance was filmed in 1968, but not released until 1970. When its studio backers saw the director's cut, they were so shocked by the film's sexual explicitness and formal radicalism that attempts were made to destroy the negative. In his study of the film, Colin MacCabe draws on extensive interviews with surviving participants to present the definitive history of the making of Performance, as well as a new interpretation of its consummate artistry. This edition includes an afterword reflecting on the film 50 years on, and the reasons for its continuing classic status. Performance's extraordinary power, suggests MacCabe, comes partly from its entrancing portrayal of London in the late 1960s, but primarily from its full scale assault on any notion of normality, not simply at the level of content but also of form. The remarkable ending, when the thriller and the psychodrama merge into one, means that there is no comfortable resolution to the film's meanings. Performance is one of those rare narrative film which takes us into the complexity of sound and image without the comforting guarantee of a safe exit.

A primary focus of ‘Sites of Performance: Of Time and Memory’ is the impact of time and memory as they intersect and constitute the varied spaces of theatre. These spaces include more traditional sites of theatre, such as those involving stages and curtains, actors and audiences, as well as those other theatres or spaces of performance that range from performance and installation art, to the performance of a string quartet, and from the writing of performance, to the performance of writing.

To perform well in today's highly competitive world where technical skills have been advanced to an unprecedented degree, a singer must be able to handle incredible pressure within the performing arena; his or her ability to deal with this stress will often determine whether he or she will succeed. Why, then, do singers with less technical skill sometimes out-perform stars? Why do some stars suddenly stop performing? What is that mysterious factor that makes an electric performance? Consistent, competent performances do not depend solely upon superior vocal skills, nor are they a matter of luck. On the contrary, the best performances result from a combination of mental attitude, concrete performing skills, and excellent technical skills in that order. Yet most singers have never had the opportunity to acquire the essential skills that make for a successful career. Written as a self-help manual for singers at all levels of expertise, Power Performance for Singers is designed to teach performing artists, and especially singers, how to experience elite performance at their level. The skills outlined in this book will help singers use what they have, to enjoy their voices during performance, and to perform consistently to the best of their present ability.

"In this book, Peter Bogetoft - THE expert on the theory and practice of benchmarking - provides an in–depth yet very accessible and readable explanation of the best way to do benchmarking, starting from the ground up." Rick Antle William S. Beinecke Professor of Accounting, Yale School of Management CFO, Compensation Valuation, Inc. "I highly recommend this well-written and comprehensive book on measuring and managing performance. Dr. Bogetoft summarizes the fundamental mathematical concepts in an elegant, intuitive, and understandable way." Jon A. Chilingerian Professor, Brandeis University and INSEAD "Bogetoft gives in his book Performance Benchmarking an excellent introduction to the methodological basis of benchmarking." Christian Parbøl Director, DONG Energy "This book is the primer on benchmarking for performance management." Albert Birck Business Performance Manager, Maersk Oil "This excellent book provides a non technical introduction for performance management." Misja Mikkers, Director, Dutch Health Care Authority "With this very well written and comprehensive introduction to the many facets of benchmarking in hand, organizations have no excuse for not applying the best and cost effective benchmarking methods in their performance assessments." Stig P. Christensen Senior R&D Director, COWI