A searing, satirical portrait of a divided England in a connected age - a 1984 for our times.

SHORTLISTED FOR THE RSL ENCORE PRIZE 2019LONGLISTED FOR THE RSL ONDAATJE PRIZE 2019LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2019In Edmundsbury, a small town in east England, fear and loathing are on the rise. It is the near future; Brexit has happened and the ramifications are real. Grass-roots right-wing political party 'England Always' are fomenting hatred. The residents of a failing housing estate are being manipulatively cleared from their homes. A multinational tech company is making inroads into the infrastructure. Just as social tensions appear to reach crisis point, masked men begin a series of 'disruptions', threatening to make internet histories public, asking the townspeople 'what don't you want to share?'

Welcome to Edmundsbury, a small town in England, some time in the recent future. Brexit has happened and is real. Fear and loathing are on the rise. Grass-roots right-wing political party England Always are fomenting hatred. The residents of a failing housing estate are being cleared from their homes. A multinational tech company is making inroads into the infrastructure. Just as the climate seems at its most pressured, masked men begin a series of 'disruptions', threatening to make internet histories public, asking the townspeople what don't you want to share? As tensions mount, lives begin to unravel. Jess Ellis's research into internet misogyny pushes her relationship with her over-exposed opinion columnist boyfriend Robert Townsend to breaking point. Robert's championing of the inhabitants of the threatened estate begins to erode the edges of his fragile idealism. Local England Always politician Hugo Bennington finds his twisted loyalties catching up with him. At the nearby tech park, behind the utopian rhetoric, Trina James finds that something is dangerously amiss. A controversial tweet; a series of ill-judged thinkpieces; a riot of opinions. Suddenly Edmundsbury is no longer the peaceful town it has always imagined itself to be. Things are changing. No-one is quite who they appear. The future has arrived, and it is not what anyone imagined.

SHORTLISTED FOR THE GORDON BURN PRIZE 2021* 'Exceptional...' Observer * 'Unforgettable...' TLS * 'Outstanding...' Irish Times *'Sam Byers's mastery of tone and attentiveness to every psychological shift confirms him as one of the most accomplished novelists of his generation.' Sunday TimesThe new novel from the author of Perfidious Albion-a darkly comic and profoundly affecting novel about resistance, radicalism and redemption.Maya is homeless. When her site is razed by ruthless authorities, she's detained. But then, Maya is given a lifeline; a chance to re-enter society again. A tech company - angling to raise its philanthropic profile - offers her a job and a flat. There's one caveat: Maya must document her inspiring progress on Instagram to show that anyone can be productive; perfect.Yet Maya realises that sickness is a kind of revolution. With other outcasts, Maya starts a movement: billboards promoting wellness are defaced all over London and her media feed is flooded with obscene, filthy images. Suddenly, questions arise about the forces unleashed: liberation and madness, protest and anarchy, rebellion and chaos.

A debut novel of love, narcissism, and ailing cattle Idiopathy (?d?'?p??i): a disease or condition which arises spontaneously or for which the cause is unknown. Idiopathy: a novel as unexpected as its title, in which Katherine, Daniel, and Nathan—three characters you won't forget in a hurry—unsuccessfully try to figure out how they feel about one another and how they might best live their lives in a world gone mad. Featuring a mysterious cattle epidemic, a humiliating stint in rehab, an unwanted pregnancy, a mom–turned–media personality ("Mother Courage"), and a workplace with a bio-dome housing a perfectly engineered cornfield, it is at once a scathing satire and a moving meditation on love and loneliness. With unusual verbal finesse and great humor, Sam Byers neatly skewers the tangled relationships and unhinged narcissism of a self-obsessed generation in a remarkable, uproarious first novel.

Nothing could seem more civilized, more orderly and sedate than a weekend at one of Great Britain's country estates. Yet these staid, conservative houses play host to a wider variety of murders than do the mean streets of America's darkest cities.