"Thinking and working at different scales is at the core of the architecture. But how much of that design decision must be made? At what time it is useful to change the scale? What can, what should be displayed in a scaled architectural drawings? And how it is possible that this drawing is clear, legible, yet an aesthetic desire? The architectural drawing is not least a means of communication. It contains information that is relevant to different addressees. Choosing the right scale determines whether the client or the craftsman understands what is meant. Given the numerous possibilities of CAD gets the goal, to transport their own ideas clearly and unambiguously, sometimes out of sight. Ansgar and Benedikt Schulz provide guidance and lead the architectural drawing exemplarily back to its original purpose: to provide excellent buildings" -- Publicaciones Arquitectura y Arte.

This book provides the most efficient way to practice scales and the fastest path to mastery of one's instrument. The scale routine presented here is a vehicle for increasing tactile familiarity and improving facility, velocity and tone. Its very nature-namely its function outside of specific repertoire-allows one to focus on the technical things ideally relegated to one's subconscious when performing music in a real-world context. This book isn't an encyclopedia of scales; rather, a comprehensive way to practice scales (and for that matter, arpeggios, chords and patterns). It is suitable for all instruments.

This book provides up-to-date, in-depth and accessible information on the concept of scale, and focuses on its applications in geography, Earth science, environmental science, and other fields in which the environment plays a significant role. Although the book presents methods and applications as a response to practical challenges, it is primarily concept-centered: it identifies a set of distinct, yet related notions of “scale”, analyzing and elucidating their evolving meanings in a systematic way. Concepts are defined with a focus on their practical operational applicability, and the introduction of methods is supported by concrete examples. The book links theoretical insights to illustrating applications, involving a broad range of themes, from maps, fractals, and chaos theory to fine art and literature. It approaches the subject in a spatial, temporal, and spatio-temporal context, including a wide diversity of spatial features from Earth and other planets, as well as time series and space-time patterns. This monograph is expected to be useful especially because in practice the various scale-focused concepts are not neatly separated and immiscible. It is therefore helpful for scholars in physical and human geography, Earth and environmental sciences, and other fields, to benefit from a clear conceptual framework that distinguishes and illuminates the various scale-related concepts and their interconnections. Selected chapters can also support a deeper understanding of the concept of scale for graduate and undergraduate students in geography, the natural sciences, and the humanities. Information on recommended additional literature and comments about specific sources offer a guide to further reading on the topics addressed in the book.

This book focuses on measuring democratic political systems as such, and is concerned more with the consequences and concomitants of political democracy in cross-national research. It examines the sequences and dynamics of political change between 1800 and 1986.