Michael Maxwell McCallum lives in a world just like ours but peopled by superheroes. When Michael's hero, Perfect Man, quits his job without warning, Michael isn't worried. He knows that Perfect Man will come back. He always does. So that September, when a new teacher shows up in his classroom, a teacher with a number of special powers, Michael figures it out right away. Mr. Clark is Perfect Man. Mr. Clark doesn't say yes and he doesn't say no to Michael's endless questions, but he does encourage Michael to find his own superpowers.

A remarkable new work from one of our premier historians In his exciting new book, John F. Kasson examines the signs of crisis in American life a century ago, signs that new forces of modernity were affecting men's sense of who and what they really were. When the Prussian-born Eugene Sandow, an international vaudeville star and bodybuilder, toured the United States in the 1890s, Florenz Ziegfeld cannily presented him as the "Perfect Man," representing both an ancient ideal of manhood and a modern commodity extolling self-development and self-fulfillment. Then, when Edgar Rice Burroughs's Tarzan swung down a vine into the public eye in 1912, the fantasy of a perfect white Anglo-Saxon male was taken further, escaping the confines of civilization but reasserting its values, beating his chest and bellowing his triumph to the world. With Harry Houdini, the dream of escape was literally embodied in spectacular performances in which he triumphed over every kind of threat to masculine integrity -- bondage, imprisonment, insanity, and death. Kasson's liberally illustrated and persuasively argued study analyzes the themes linking these figures and places them in their rich historical and cultural context. Concern with the white male body -- with exhibiting it and with the perils to it --reached a climax in World War I, he suggests, and continues with us today.

New neighbor Chad Lawson seems too perfect. At least to Rebecca McKaslin, who's been burned by a Prince Charming?type before. Worried, her loving family supports her time-out from romance. Yet, as Rebecca gets to know her handsome, churchgoing neighbor, his reliable, friendly nature challenges her resistance to relationships. Soon, she wonders if God put him in her life for a reason. Should she accept this rare gift and risk her heart again?

Welcome to Cape Kismet, where the neighbors are nosy, the bookstores offer an escape, and epic romances abound. A hot date? Try Five. Every time a perfect man shows up at my door, I swoon the proper amount and do my best not to stare at his chiseled features and firm... jaw. Yes, definitely his jaw. But I, Ellie Amore, have a problem. It's big, gigantic, and not in the good way. None of these men are real. And that version of me? More fake than an author calling herself classy while drinking boxed wine in her yoga pants. Me, that author is me. I dream of hot men. Perfect men. Fictional men. These men go into my books, and it's all I need for my messy cat-lady-living-above-a-bookstore life. Really. I don't need my brother's best friend checking up on me. The man who brings me tacos. The one who is decidedly not perfect-as his enemy cat would tell you-but somehow might just be perfect for me. I'm not sure how it all started or when he decided I was more than a favor to his friend. All I know is Cruz is not a man from my dreams. This time, it's different. This time, he's real. The Perfect Man is book one in the Perfect Man romantic comedy series. Dive in for plenty of swoons, lots of laughs, and a guaranteed HEA ending.

Winner of the Commonwealth Writers' Prize for Europe and South Asia. Winner of the 2008 PEN Beyond Margins Award. Identity, friendship, and a long-hidden crime lie at the heart of Naeem Murr’s captivating novel about five friends growing up in a small 1950s Missouri river town. A contender for the Man Booker Prize, this exhilarating story beautifully evokes the extreme joys, as well as the dark and shameful desires, of childhood. Young Rajiv Travers hasn’t had much luck fitting in anywhere. Born to an Indian mother who was sold to his English father for £20, Raj is abandoned by his relatives into the reluctant care of Ruth, an American romance writer living in Pisgah, Missouri. While his skin color unsettles most of the townsfolk, who are used to seeing things in black and white, the quick-witted Raj soon finds his place among a group of children his own age. While the friends remain loyal to one another through the years, it becomes clear that their paths will veer in markedly different directions. But breaking free of the demands of their families and their community, as well as one another, comes at a devastating price: As the chilling secrets of Pisgah’s residents surface, the madness that erupts will cost Raj his closest friend even as it offers him the life he always dreamed of. Taking us into the intimate life of small-town America, The Perfect Man explores both the power of the secrets that shape us and the capacity of love in all its guises to heal even the most damaged of souls.

Eugen Sandow (1867-1925) was a Victorian strongman who was colossally famous in his day and possessed what was deemed to be the most perfect male body. He rose from obscurity in Prussia to become a music-hall sensation in late Victorian London, going on to great success as a performer in North America and throughout the British Empire. He was a friend to King Edward VII and was appointed Professor of Physical Culture to King George V. His physical culture system was adopted by hundreds of thousands around the world. He lost his fortune at the time of the First World War and he ended up being buried in an unmarked grave in Putney Vale Cemetery. There is lively interest in him on the web where his dumbells or chest-extenders sell for hundreds of pounds and an autographed photograph for thousands. Written with humour and insight into the popular culture of late Victorian England, Waller's book argues that Sandow deserves to be resurrected as a significant cultural figure whose life, like that of Oscar Wilde, tells us a great deal about sexuality and celebrity at the fin de siecle.