The representation of women in parliament is a subject of extensive research and a focus for political action in the last decade. The wide variation in women's parliamentary presence contradicts the expectation that established or consolidated democracies are more supportive of the presence of women in political life than emerging democracies. This volume explains this variation through a series of closely investigated case studies from the post-Communist transition democracies of Eastern Europe and emerging democracies in Asia and the Middle East to the long-established liberal democratic states. The volume examines the history of women's legislative involvement, clearly addressing the issue of equal opportunities for women in political life on a cross-national basis. It also identifies innovative solutions to redress the power-sharing balance between women and men. Offering a unique comparative perspective, Sharing Power will appeal to students and scholars of politics, women's studies, history and legislative studies.

The analysis of gender and political inequality, and the women's movements that have contested it, has concentrated on the West. In this wide-ranging reevaluation, incorporating development studies and political sociology, Maxine Molyneux redresses this balance by analysing Latin American women's movements within liberal, authoritarian and revolutionary states. These studies of Argentina, Nicaragua and Cuba, alongside comparative discussions of socialism, women's movements and citizenship, examine the complex, and persistent, interaction of states and women's movements, and the diversity of responses engendered.

Set in Arequipa during Peru's recent years of crisis, this ethnography reveals how dress creates gendered bodies. It explores why people wear clothes, why people make art, and why those things matter in a war-torn land. Blenda Femenías argues that women's clothes are key symbols of gender identity and resistance to racism. Moving between metropolitan Arequipa and rural Caylloma Province, the central characters are the Quechua- and Spanish-speaking maize farmers and alpaca herders of the Colca Valley. Their identification as Indians, whites, and mestizos emerges through locally produced garments called bordados. Because the artists who create these beautiful objects are also producers who carve an economic foothold, family workshops are vital in a nation where jobs are as scarce as peace. But ambiguity permeates all practices shaping bordados' significance. Femenías traces contemporary political and ritual applications, not only Caylloma's long-standing and violent ethnic conflicts, to the historical importance of cloth since Inca times. This is the only book about expressive culture in an Andean nation that centers on gender. In this feminist contribution to ethnography, based on twenty years' experience with Peru, including two years of intensive fieldwork, Femenías reflects on the ways gender shapes relationships among subjects, research, and representation.