"The first anthology to collect readings on the historical and contemporary expereinces of western Native Americans, Mexican Americans, African Americans, and Asian Americans, Peoples of Color in the American West brings together essays by revisionist historians and social scientists who in recent years have rejected romanticized appraoches to western American history. Most of the readings treat peoples of color not as victims but as active agents in the making of the history of the American West. The editors encourage students to search for characteristics that several groups share and for patterns that persist from one historical period to the next, as well as for significant differences among groups. By juxtaposing readings, the editors do not imply that the histories of nonwhite peoples in the American West have been completely similar or that their cultures have been homogenous and static; rather, the aim is to highlight important commonalities, without slighting their differences. The editors' notes call students' attention to the contributions of these various groups to the economy, society, and cultures of the American West, as well as to the interracial and interethnic tensions. Not glossing over the latter is important, because as the United States increasingly becomes a multiethnic society, viable bases for cooperation will be found only through an understanding of the roots of conflict"--Back cover.

Thirteen essays examine the roles African-Americans played in the settling of the American West, discussing the slaves of Mormons and California gold miners; African-American army men, cowboys, and newspaper founders; and others on the frontier. Also includes a bibliographic essay.

African Americans who moved to California in hopes of finding freedom and full citizenship instead faced all-too-familiar racial segregation. As one transplant put it, "The only difference between Pasadena and Mississippi is the way they are spelled." From the beaches to streetcars to schools, the Golden State—in contrast to its reputation for tolerance—perfected many methods of controlling people of color. Lynn M. Hudson deepens our understanding of the practices that African Americans in the West deployed to dismantle Jim Crow in the quest for civil rights prior to the 1960s. Faced with institutionalized racism, black Californians used both established and improvised tactics to resist and survive the state's color line. Hudson rediscovers forgotten stories like the experimental all-black community of Allensworth, the California Ku Klux Klan's campaign of terror against African Americans, the bitter struggle to integrate public swimming pools in Pasadena and elsewhere, and segregationists' preoccupation with gender and sexuality.

Who were the black cowboys? They were drovers, foremen, fiddlers, cowpunchers, cattle rustlers, cooks, and singers. They worked as wranglers, riders, ropers, bulldoggers, and bronc busters. They came from varied backgrounds—some grew up in slavery, while free blacks often got their start in Texas and Mexico. Most who joined the long trail drives were men, but black women also rode and worked on western ranches and farms. The first overview of the subject in more than fifty years, Black Cowboys in the American West surveys the life and work of these cattle drivers from the years before the Civil War through the turn of the twentieth century. Including both classic, previously published articles and exciting new research, this collection also features select accounts of twentieth-century rodeos, music, people, and films. Arranged in three sections—“Cowboys on the Range,” “Performing Cowboys,” and “Outriders of the Black Cowboys”—the thirteen chapters illuminate the great diversity of the black cowboy experience. Like all ranch hands and riders, African American cowboys lived hard, dangerous lives. But black drovers were expected to do the roughest, most dangerous work—and to do it without complaint. They faced discrimination out west, albeit less than in the South, which many had left in search of autonomy and freedom. As cowboys, they could escape the brutal violence visited on African Americans in many southern communities and northern cities. Black cowhands remain an integral part of life in the West, the descendants of African Americans who ventured west and helped settle and establish black communities. This long-overdue examination of nineteenth- and twentieth-century black cowboys ensures that they, and their many stories and experiences, will continue to be known and told.

A new study of those excluded from the national narrative of the West. Dan Moos challenges both traditional and revisionist perspectives in his exploration of the role of the mythology of the American West in the creation of a national identity. While Moos concurs with contemporary scholars who note that the myths of the American West depended in part upon the exclusion of certain groups - African Americans, Native Americans, and Mormons - he notes that many scholars, in their eagerness to identify and validate such excluded positions, have given short shrift to the cultural power of the myths they seek to debunk. That cultural power was such, Moos notes, that these disenfranchised groups themselves sought to harness it to their own ends through the active appropriation of the terms of those myths in advocating for their own inclusion in the national narrative. that, because the construction of American culture was never designed to accommodate these outsiders, their writings display a division between their imagined place in the narrative of the nation and their effacement within the real West marked by intolerance and inequality.

The American West is mistakenly known as a region with few African Americans and virtually no black history. This work challenges that view in a chronicle that begins in 1528 and carries through to the present-day black success in politics and the surging interest in multiculturalism.

From deserts to ghost towns, from national forests to California bungalows, many of the features of the western American landscape are well known to residents and travelers alike. But in How to Read the American West, William Wyckoff introduces readers anew to these familiar landscapes. A geographer and an accomplished photographer, Wyckoff offers a fresh perspective on the natural and human history of the American West and encourages readers to discover that history has shaped the places where people live, work, and visit. This innovative field guide includes stories, photographs, maps, and diagrams on a hundred landscape features across the American West. Features are grouped according to type, such as natural landscapes, farms and ranches, places of special cultural identity, and cities and suburbs. Unlike the geographic organization of a traditional guidebook, Wyckoff's field guide draws attention to the connections and the differences between and among places. Emphasizing features that recur from one part of the region to another, the guide takes readers on an exploration of the eleven western states with trips into their natural and cultural character. How to Read the American West is an ideal traveling companion on the main roads and byways in the West, providing unexpected insights into the landscapes you see out your car window. It is also a wonderful source for armchair travelers and people who live in the West who want to learn more about the modern West, how it came to be, and how it may change in the years to come. Showcasing the everyday alongside the exceptional, Wyckoff demonstrates how asking new questions about the landscapes of the West can let us see our surroundings more clearly, helping us make informed and thoughtful decisions about their stewardship in the twenty-first century. Watch the trailer: http://www.youtube.com/watch?v=aYSmp5gZ4-I