A 2017 Choice Outstanding Academic Title In People of the Saltwater, Charles R. Menzies explores the history of an ancient Tsimshian community, focusing on the people and their enduring place in the modern world. The Gitxaała Nation has called the rugged north coast of British Columbia home for millennia, proudly maintaining its territory and traditional way of life. People of the Saltwater first outlines the social and political relations that constitute Gitxaała society. Although these traditionalist relations have undergone change, they have endured through colonialism and the emergence of the industrial capitalist economy. It is of fundamental importance to this society to link its past to its present in all spheres of life, from its understanding of its hereditary leaders to the continuance of its ancient ceremonies. Menzies then turns to a discussion of an economy based on natural-resource extraction by examining fisheries and their central importance to the Gitxaałas’ cultural roots. Not only do these fisheries support the Gitxaała Nation economically, they also serve as a source of distinct cultural identity. Menzies’s firsthand account describes the group’s place within cultural anthropology and the importance of its lifeways, traditions, and histories in nontraditional society today.

People of the Saltwater is an exploration of an ancient community of the Gitxaala Nation and how its members relate socially, politically, and economically to the rest of the world.

In October of 2001, the Australian High Court confirmed aboriginal title to two thousand kilometres of ocean off the north coast. The decision, which was the result of a seven-year court battle, highlighted aboriginal belief that the sea is a gift from the creator to be used for sustenance, spirituality, identity, and community. This evocative study of the people of northern coastal Australia and their sea worlds illuminates the power of human attachment to place. Saltwater People: The Waves of Memory offers a cross-disciplinary approach to native land claims that incorporates historical and contemporary case studies from not only Australia, but also New Zealand, Scandinavia, the US, and Canada. Nonie Sharp discusses various issues of indigenous heritage, including land claims, concepts of public and private property, poverty, and the environment. Despite dispossession, the aboriginals of northern coastal Australia never faltered in their devotion to the sea, illustrating how profoundly such bonds are preserved in memory. Their moving story of surviving and winning a lengthy court battle provides valuable information for all countries dealing with similar issues of rights to tenure and natural resources. Sharp provides the first book-length study of an integrated statement on the many defining qualities of the cultural relationship of aboriginals, non-aboriginals, and the concept of ownership over the sea, and illustrates the wisdom that different traditions can offer one another.

This bold, innovative book promises to radically alter our understanding of the Atlantic slave trade, and the depths of its horrors. Stephanie E. Smallwood offers a penetrating look at the process of enslavement from its African origins through the Middle Passage and into the American slave market. Saltwater Slavery is animated by deep research and gives us a graphic experience of the slave trade from the vantage point of the slaves themselves. The result is both a remarkable transatlantic view of the culture of enslavement, and a painful, intimate vision of the bloody, daily business of the slave trade.

Peter Bush, winner of the Ramon Llull Prize for Literary Translation, brings to English this most prolific and influential of Catalan writers. Dripping with a panache that can turn in a comic instant to the most conciliatory humility, Josep Pla's foray into the land and sea most familiar to him will plunge readers head-first into its mysterious (and often tasty!) depths. Here are adventures and shipwrecks, raspy storytellers and the fishy meals that sustain them. After describing the process of beating an octopus with branches to soften up its flesh, Pla writes, "These are dishes that must be seen as a last resort." Pla inflects the mundane with the hidden rhythms of power sculpting culture, so that a hot supper is never just food--it embodies economic precarity and environmental erosion along with its own peculiar flavor. A lifetime of reporting on current events gave Pla the necessary skills to describe the world in all its gritty, funny, invigorating detail.

A Best Book of 2020: Open Letters Review "Andrews’s writing is transportingly voluptuous, conjuring tastes and smells and sounds like her literary godmother, Edna O’Brien . . . What makes her novel sing is its universal themes: how a young woman tries to make sense of her world, and how she grows up." –Penelope Green, The New York Times Book Review This “luminous” (TheObserver) feminist coming-of-age novel captures in sensuous, blistering prose the richness and imperfection of the bond between a daughter and her mother It begins with our bodies . . . Safe together in the violet dark and yet already there are spaces beginning to open between us. From that first immaculate, fluid connection, through the ups and downs of a working-class childhood in northern England, the one constant in Lucy’s life has been her mother: comforting and mysterious, ferociously loving, tirelessly devoted, as much a part of Lucy as her own skin. Her mother's lessons in womanhood shape Lucy’s appreciation for desire, her sense of duty as a caretaker, her hunger for a better, perhaps reckless life. At university in glamorous London, Lucy’s background sets her apart. And then she is finished, graduated, adrift. She escapes to a tiny house in Donegal left empty by her grandfather, a place where her mother once found happiness. There she will take a lover, live inside art and the past, and track back through her memories and her mother’s stories to make sense of her place in the world. In “a stunning new voice in British literary fiction” (The Independent) that lays bare our raw, dark selves, Jessica Andrews’s debut honors the richness and imperfection of the bond between a daughter and her mother. Intricately woven in lyrical vignettes, Saltwater is a novel of becoming-- a woman, an artist-- and of finding a way forward by looking back.

The inhabitants of Pororan Island, a small group of 'saltwater people' in Papua New Guinea, are intensely interested in the movements of persons across the island and across the sea, both in their everyday lives as fishing people and on ritual occasions. From their observations of human movements, they take their cues about the current state of social relations. Based on detailed ethnography, this study engages current Melanesian anthropological theory and argues that movements are the Pororans' predominant mode of objectifying relations. Movements on Pororan Island are to its inhabitants what roads are to 'mainlanders' on the nearby larger island, and what material objects and images are to others elsewhere in Melanesia.