Time to get back to the future! In this special edition from the editors of People, we celebrate the year Marty McFly and Doc Brown turned a DeLorean into a time machine. 1985 was the year of The Breakfast Club and St. Elmo's Fire, of Princess Diana's iconic twirl with John Travolta at the White House, and of Live Aid and Farm Aid when the music world came together to do good. On TV we were watching The Golden Girls, Moonlighting (Hello, Bruce Willis!), Dynasty, and Dallas. We look back at Star Tracks and Heart Monitor from 1985 to see what the most memorable celebrities of the day were up to, and who was falling in or out of love, as well as the biggest news of the year. This 96-page photo-filled issue also includes People's Ultimate Pop Culture Quiz: How well do you remember 1985?

From greed to glasnost, the 80s were the decade when brash was beautiful and the only sin was not to win. Madonna declared there was nothing wrong with being a Material Girl and Cindy Lauper spoke for all girls who just wanted to have fun. Did we say, Girls? Yes, the word took on new self-empowering meanings. At the same time Princess Diana went from shy schoolteacher to worlds most famous woman to thoroughly modern mom as her marriage slid from fairy tale to farce. In the lavishly illustrated keepsake, youll relive all the highs and woes of a decade that mad Bill Cosby the king of prime-time, the Berlin Wall a pile of rubble, cable TV and the fax machine ubiquitous and two otherworldly characters world famous? Michael Jackson, he of the white glove, and ET, phoning home across the cosmos.

The 80's: If we remember correctly, they happened somewhere between disco and grunge, after platform shoes but before Friends. President Ronald Reagan sat in the Oval Office; Sixteen Candles and Raiders of the Lost Ark played at the multiplex; and, on the small screen, the invention of MTV meant that image, more than ever, could make a star. This was good news for Madonna, Duran Duran and Boy George and great news for A Flock of Seagulls. PEOPLE Celebrate the 80's takes you on a trip down memory lane with the stars, fads and moments you'll never forget.

Rocky! Farrah! Carrie! Sonny! Cher! Get out your disco shoes, feather your hair, and tie up your wrap dress: 40 years after the debut of ""Charlie's Angels,"" Rocky Balboa, and film's bloodiest prom queen, People celebrates America's bicentennial year with a special issue jam-packed with photos and throwback fun. Happy 40th to Stevie Wonder's masterpiece, ""Songs in the Key of Life,"" to goofy variety shows from Donny & Marie to the singing Brady Bunch, to Blondie, Taxi Driver, ""The Bionic Woman,"" and to that Saturday morning cartoon classic, ""I'm Just a Bill."" Exclusive interviews, including Jaclyn Smith on the making of Charlie's Angels. Memories from rocker Peter Frampton, Olympic gold medalist Dorothy Hamill, best-selling Interview with the Vampire author Anne Rice and more. The headlines, fashions, trends and inventions (hello, first Apple computer!) that make 1976 a year to remember. Just ask Charo.

Wall Street scandals. Fights over taxes. Racial resentments. A Lakers-Celtics championship. The Karate Kid topping the box-office charts. Bon Jovi touring the country. These words could describe our current moment—or the vaunted iconography of three decades past. In this wide-ranging and wickedly entertaining book, New York Times bestselling journalist David Sirota takes readers on a rollicking DeLorean ride back in time to reveal how so many of our present-day conflicts are rooted in the larger-than-life pop culture of the 1980s—from the “Greed is good” ethos of Gordon Gekko (and Bernie Madoff) to the “Make my day” foreign policy of Ronald Reagan (and George W. Bush) to the “transcendence” of Cliff Huxtable (and Barack Obama). Today’s mindless militarism and hypernarcissism, Sirota argues, first became the norm when an ’80s generation weaned on Rambo one-liners and “Just Do It” exhortations embraced a new religion—with comic books, cartoons, sneaker commercials, videogames, and even children’s toys serving as the key instruments of cultural indoctrination. Meanwhile, in productions such as Back to the Future, Family Ties, and The Big Chill, a campaign was launched to reimagine the 1950s as America’s lost golden age and vilify the 1960s as the source of all our troubles. That 1980s revisionism, Sirota shows, still rages today, with Barack Obama cast as the 60s hippie being assailed by Alex P. Keaton–esque Republicans who long for a return to Eisenhower-era conservatism. “The past is never dead,” William Faulkner wrote. “It’s not even past.” The 1980s—even more so. With the native dexterity only a child of the Atari Age could possess, David Sirota twists and turns this multicolored Rubik’s Cube of a decade, exposing it as a warning for our own troubled present—and possible future.

Modern technology has brought some new twists and turns to horror. Found footage, cell phone-based viruses, literal ghosts in the machines but maybe it's time for a throwback. It's time for some new tales of slumber party horrors, VCR monsters, and problems that can't be solved with a smart phone. We want tales of unstoppable monsters, sewer-dwelling creatures, looming threats of cold-war chaos. Give us fear under the neon lights of an arcade, people fighting for their lives against the backdrop of a hot city night and a cheesy sax solo. Take us back to a time when latchkey kids had to fend for themselves and the only thing left to stop an unspeakable horror was a plucky band of high school kids. Make it bloody. Make it gnarly. Make it 80s! Featuring over 20 Bram Stoker Award winning and Best Selling Authors such as Joe R. Lansdale, Kasey Lansdale, Weston Ochse, Lisa Morton, Grady Hendrix, Tim Waggoner, Christina Sng, Stephanie M. Wytovich, Jess Landry, Vince Liaguno, F. Paul Wilson, John Skipp, Linda D Addison and many more. "Reading Attack from the '80s brings on a nostalgia tinged with blood. It's like being impaled on a time machine and dragged through sickly houses haunted by serial killers, spooky fairgrounds where kids vanish, woodlands stalked by unnameable beasts ... and it is wonderful. I'm in my teens again, and the horrors are more terrifying than ever." -Tim Lebbon, author of Eden "Attack from the '80s sends us rollicking back into the pop culture madness of that genre, and does it with creeps, fun, and great storytelling from today's top horror writers!" -Jonathan Maberry, NY Times bestselling author of Ink and Rot & Ruin "Deliriously, deliciously gruesome, Attack from the '80s is a treat for horror fans looking for the hard stuff. An all-star lineup of writers inspired by that gnarliest of decades. Rad!" -David Wellington, Marvel Zombies, Monster Island Table of Contents Introduction by Mick Garris Top Guns of the Frontier by Weston Ochse Snapshot by Joe R. Lansdale and Kasey Lansdale The Devil in the Details by Ben Monroe Return of the Reanimated Nightmare by Linda Addison Taking the Night Train by Thomas F. Monteleone Catastrophe Queens by Jess Landry Your Picture Here by John Skipp Permanent Damage by Lee Murray Slashbacks by Tim Waggoner Munchies by Lucy A. Snyder Ten Miles of Bad Road by Stephen Graham Jones Epoch, Rewound by Vince A. Liaguno Demonic Denizens by Cullen Bunn The White Room by Rena Mason Ghetto Blaster by Jeff Strand Haddonfield, New Jersey 1980 by Cindy O'Quinn When He Was Fab by F. Paul Wilson Welcome to Hell by Christina Sng Perspective: Journal of a 1980s Mad Man by Mort Castle Mother Knows Best by Stephanie M. Wytovich Stranger Danger by Grady Hendrix The Garden of Dr. Moreau by Lisa Morton

“An intoxicating Manhattan fairy tale…As affecting as it is absorbing. A thrilling debut.” —Kirkus Reviews (starred review) “A vital, sensuous, edgy, and suspenseful tale of longing, rage, fear, compulsion, and love.” —Booklist (starred review) A transcendent debut novel that follows a critic, an artist, and a desirous, determined young woman as they find their way—and ultimately collide—amid the ever-evolving New York City art scene of the 1980s. Welcome to SoHo at the onset of the eighties: a gritty, not-yet-gentrified playground for artists and writers looking to make it in the big city. Among them: James Bennett, a synesthetic art critic for the New York Times whose unlikely condition enables him to describe art in profound, magical ways, and Raul Engales, an exiled Argentinian painter running from his past and the Dirty War that has enveloped his country. As the two men ascend in the downtown arts scene, dual tragedies strike, and each is faced with a loss that acutely affects his relationship to life and to art. It is not until they are inadvertently brought together by Lucy Olliason—a small town beauty and Raul’s muse—and a young orphan boy sent mysteriously from Buenos Aires, that James and Raul are able to rediscover some semblance of what they’ve lost. As inventive as Jennifer Egan's A Visit From The Goon Squad and as sweeping as Meg Wolitzer's The Interestings, Tuesday Nights in 1980 boldly renders a complex moment when the meaning and nature of art is being all but upended, and New York City as a whole is reinventing itself. In risk-taking prose that is as powerful as it is playful, Molly Prentiss deftly explores the need for beauty, community, creation, and love in an ever-changing urban landscape.