En tiempos mas optimistas podia pensarse que el presente era la culminacion de la historia. Con mas modestia, hoy pensamos que el presente es solo una y no muy afortunada de las posibilidades de la historia. La hipotesis que calladamente organiza el libro de Mauricio Tenorio es mas arriesgada y menos lugubre: que la historia es una de las posibilidades del presente, uno de los modos en que puede constituirse el presente y resultar inteligible. Dicho de otro modo, lo que hay que preguntar, lo que pregunta Tenorio, es si puede tener historia este presente: si es posible entenderlo o imaginario mediante la idea de historia, la idea de cultura, la idea de 'America Latina'. Este libro ofrece una manera de comenzar a estudiar la historia, y no porque trate de sus metodos o de nuestros probables antepasados remotos, sino porque obliga a pensar de nuevo lo que sabemos, lo que creiamos saber. Es una generosa invitacion a la lectura, un volumen hecho de correspondencias inesperadas, conjeturas; un libro vertiginoso, inquisitivo y aventurado, que consigue con toda naturalidad la forma turbulenta de las mejores novelas del siglo XIX.

An Open Access edition of this book will be available on the Liverpool University Press website and the OAPEN library. As the moment of the birth of the patria, Independence enjoys a privileged role in the historical imaginary of many Latin American nations. In Argentina as in other countries, the period has been fundamental to state discourses of nation-building and identity, lending its figures and central narratives a powerful symbolic function. It has also attracted significant literary attention, and this book offers an innovative reading of texts that provide irreverent, metafictional, or self-reflexive retellings of this foundational moment. This type of fiction is usually read through well-established frameworks on the contemporary Latin American historical novel that emphasise its destabilising of knowledge and single truths. Instead, this work foregrounds the much more immediate, concrete political points at stake when we read these texts through both their direct engagement with contemporary circumstances and the politics of the history they evoke. It therefore argues for a new approach to reading contemporary Latin American historical fiction that showcases its response to politically urgent questions.

From the New York Times bestselling author, here is the first novel in the explosive Power of the Dog series—an action-filled look at the drug trade that takes you deep inside a world riddled with corruption, betrayal, and bloody revenge. Book One of the Power of the Dog Series Set about ten years prior to The Cartel, this gritty novel introduces a brilliant cast of characters. Art Keller is an obsessive DEA agent. The Barrera brothers are heirs to a drug empire. Nora Hayden is a jaded teenager who becomes a high-class hooker. Father Parada is a powerful and incorruptible Catholic priest. Callan is an Irish kid from Hell’s kitchen who grows up to be a merciless hit man. And they are all trapped in the world of the Mexican drug Federación. From the streets of New York City to Mexico City and Tijuana to the jungles of Central America, this is the war on drugs like you’ve never seen it.

This three-stage new edition of this Spanish course for beginners leads to public examinations. Experienced practitioners and users of !Vaya! have been consulted and their suggestions have been incorporated into this new edition. It has been written to meet the requirements of the National Curriculum and the 5-14 Guidelines. Stages 1, 2 and 3 of !Vaya! Nuevo should prepare students for GCSE/Key Stage 4 examinations and Standard Grade.

Froggy's mother knows that everyone's nervous on the first day of school. "Not me!" says Froggy, and together they leapfrog to the bus stop -- flop flop flop. Froggy's exuberant antics will delight his many fans and reassure them that school can be fun."This is a great read-aloud with sounds and words that encourage active participation....A charming story to calm those pre-school jitters." -- School Library JournalJonathan London is the author of many books for children, including I See the Moon and the Moon Sees Me, Like Butter on Pancakes and four other books about Froggy.

Includes sections "Reseñas de libros," "Revistas" and "Bibliografía de historia de América."