The Renaissance woman, whether privileged or of the artisan or the middle class, was trained in the expressive arts of needlework and painting, which were often given precedence over writing. Pens and Needles is the first book to examine all these forms as interrelated products of self-fashioning and communication. Because early modern people saw verbal and visual texts as closely related, Susan Frye discusses the connections between the many forms of women's textualities, including notes in samplers, alphabets both stitched and penned, initials, ciphers, and extensive texts like needlework pictures, self-portraits, poetry, and pamphlets, as well as commissioned artwork, architecture, and interior design. She examines works on paper and cloth by such famous figures as Elizabeth I, Mary, Queen of Scots, and Bess of Hardwick, as well as the output of journeywomen needleworkers and miniaturists Levina Teerlinc and Esther Inglis, and their lesser-known sisters in the English colonies of the New World. Frye shows how traditional women's work was a way for women to communicate with one another and to shape their own identities within familial, intellectual, religious, and historical traditions. Pens and Needles offers insights into women's lives and into such literary texts as Shakespeare's Othello and Cymbeline and Mary Sidney Wroth's Urania.

Relates the life of the Graham family, parents and 10 children, at their home in a 150-acre pine forest in north Georgia during the 1940's and 50's.

A complete array of the literary figures by one of the great caricaturists of our time David Levine selected and briefly introduced by one our great writers John Updike who once himself wanted become a caricaturist.--From jacket

A reissue of Joe Robert's 2015 release 'LSD Worldpeace.'

Myrtle Hardcastle, your favorite amateur detective, is back to solve another murder (committed on a train headed for an English seaside village with a tragic past) in the second installment of the delightful Victorian cozy mystery series for middle-grade readers.

Daniel has crafted a remarkable book, full of obscure railroad nostalgia - the result of a 25-year obsession with hobo and rail-worker folklore. Freight riding stories, interviews with hobos and boxcar artists, historical oddities and tons of photos of modern-day boxcar tags are all presented in the guise of a vintage rail fanzine.

With essays on a range of fiber art practices, including embroidery, knitting, crocheting, machine stitching, rug making, weaving, and quilting, this collection contributes to the ongoing scholarly redefinition of women's relationship to creative activity. Focusing on women as producers of cultural products and creators of social value, the contributors treat women as active subjects and problematize their material practices and artifacts in the complex world of textiles.