An unconventional history of Philadelphia that operates at the threshold of cultural and environmental studies, A Greene Country Towne expands the meaning of community beyond people to encompass nonhuman beings, things, and forces. By examining a diverse range of cultural acts and material objects created in Philadelphia—from Native American artifacts, early stoves, and literary works to public parks, photographs, and paintings—through the lens of new materialism, the essays in A Greene Country Towne ask us to consider an urban environmental history in which humans are not the only protagonists. This collection reimagines the city as a system of constantly evolving constituents and agencies that have interacted over time, a system powerfully captured by Philadelphia artists, writers, architects, and planners since the seventeenth century. In addition to the editors, contributors to this volume are Maria Farland, Nate Gabriel, Andrea L. M. Hansen, Scott Hicks, Michael Dean Mackintosh, Amy E. Menzer, Stephen Nepa, John Ott, Sue Ann Prince, and Mary I. Unger.

An unconventional history of Philadelphia that operates at the threshold of cultural and environmental studies, A Greene Country Towne expands the meaning of community beyond people to encompass nonhuman beings, things, and forces. By examining a diverse range of cultural acts and material objects created in Philadelphia—from Native American artifacts, early stoves, and literary works to public parks, photographs, and paintings—through the lens of new materialism, the essays in A Greene Country Towne ask us to consider an urban environmental history in which humans are not the only protagonists. This collection reimagines the city as a system of constantly evolving constituents and agencies that have interacted over time, a system powerfully captured by Philadelphia artists, writers, architects, and planners since the seventeenth century. In addition to the editors, contributors to this volume are Maria Farland, Nate Gabriel, Andrea L. M. Hansen, Scott Hicks, Michael Dean Mackintosh, Amy E. Menzer, Stephen Nepa, John Ott, Sue Ann Prince, and Mary I. Unger.

"A collection of essays examining how patterns of use and attitudes to green spaces within Penn's city plan and along the Schuylkill informed notions of place from the time of Philadelphia's founding to the formation of the modern Fairmount Park system in the mid-19th century"--Provided by publisher.

From its humble beginnings as a strip of wilderness just west of William Penn's "greene country towne," Powelton Village has seen a rise in both prestige and activism since its inception in the late 17th century. An aristocratic estate at its founding, Powelton has found itself in a state of constant evolution, from the summer retreat of George Washington to the home of Pennsylvania's agricultural fair and from the playground of the elite to a hotbed of activism. In spite of, or because of, its mixed history, Powelton Village is unique among Philadelphia neighborhoods, both in its eclectic diversity and in its historic roots to the founding of the nation. Today, Powelton serves as a home to academics and their students, to the urban poor of Philadelphia, and to the elites of the University of Pennsylvania and Drexel University.

A highly readable, beautifully illustrated study of the homes built by elite colonial Philadelphians as retreats—which balanced English models with developing local taste. Colonial Americans, if they could afford it, liked to emulate the fashions of London and the style and manners of English country society while at the same time thinking of themselves as distinctly American. The houses they built reflected this ongoing cultural tension. By the mid-eighteenth century, Americans had developed their own version of the bourgeois English countryseat, a class of estate equally distinct in social function and form from townhouses, rural plantations, and farms. The metropolis of Philadelphia was surrounded by a particularly extraordinary collection of country houses and landscapes. Taken together, these estates make up one of the most significant groups of homes in colonial America. In this masterly volume, Mark Reinberger, a senior architectural historian, and Elizabeth McLean, an accomplished scholar of landscape history, examine the country houses that the urban gentry built on the outskirts of Philadelphia in response to both local and international economic forces, social imperatives, and fashion. What do these structures and their gardens say about the taste of the people who conceived and executed them? How did their evolving forms demonstrate the persistence of European templates while embodying the spirit of American adaptation? The Philadelphia Country House explores the myriad ways in which these estates—which were located in the country but responded to the ideas and manners of the city—straddled the cultural divide between urban and rural. Moving from general trends and building principles to architectural interiors and landscape design, Reinberger and McLean take readers on an intimate tour of the fine, fashionable elements found in upstairs parlors and formal gardens. They also reveal the intricate working world of servants, cellars, and kitchen gardens. Highlighting an important aspect of American historic architecture, this handsome volume is illustrated with nearly 150 photographs, more than 60 line drawings, and two color galleries.

Once mostly rolling hills and valleys covered with hardwood forest in the seventeenth century, contemporary Philadelphia and the Delaware Valley now claim the largest concentration of many of the finest public and private gardens in the world. William M. Klein explores the broader attitudes and behaviors toward nature that have influenced this developmentt - of colonial farms and gardens created for survival to the art of suburban gardens to nature conservatories and public parks. Discover how in 300 years we have moved from fencing nature out to fencing nature in. Out of the past, examine the worm fence at Colonial Pennsylvania Plantations, overgrown by weeds as it would have been during Colonial times, zigzagging across the fields tenuously holding back the great forest that presses down. Into the present, consider the chain link fence at the John Heinz Wildlife Refuge at Tinicum that bounds a threatened wetland habitat from the intrusion of highways and reverberates to the sounds of traffic from I-95 and the Philadelphia International Airport. Klein's eloquent and knowledgeable narrative include detailed portraits of forty-four individual gardens, all lustrously illustrated by noted garden photographer Derek Fell. While considering a particular garden's historical and social influences, Klein discusses the philosophy behind each garden, its planner's goals and even personality, and the garden's interaction with surrounding architecture. This complete guide also includes each location's address, phone number, hours of operation, events, and featured plants, flowers, and trees. Yet this book goes far beyond the usual guides in this search for answers to the perennial questions of how and why each generation struggles to define its place in nature. As we approach the twenty-first century, the garden has become the metaphor for how we must begin to view all nature today - tended space where we collect, name, nurture, and share our love of plants. Author note: Formerly Director of the Morris Arboretum of the University of Pennsylvania, Dr. William M. Klein, Jr. is Executive Director of the National Tropical Botanical Garden in Lawai, Hawaii. In 1993 he was presented with the American Horticultural Society's Professional Award, and has been a Fellow of the American Association for the Advancement of Science since 1989. He has published many important writings on nature, botany, and landscape, including his previous book, The Vascular Flora of Pennsylvania: Annotated Checklist and Atlas. Derek Fell is a widely published garden photographer and the author of more than 50 garden books and garden calendars.