The archaeologist Schliemann, after having discovered the ruins of Troy, goes to Greece together with his wife Sofia to carry out excavations in the ancient city of Mycenae. This magic place brought new finds and he found treasures that made his archaeological adventures unique in history. He is assisted by his faithful friends to whom were added a reckless young girl, Zirl, who gets up to all kinds of things. Between attacks by bandits, a very enjoyable (and also interesting) visit to Athens, the tale of Ulysses' voyage takes place. This time it is Sofia who relates the adventures of the great hero. And it is not clear if Ulysses' experiences or those of the reckless group of participants in this story are more fascinating.

As portrayed in Homer's Odyssey, Penelope - wife of Odysseus and cousin of the beautiful Helen of Troy - has become a symbol of wifely duty and devotion, enduring twenty years of waiting when her husband goes to fight in the Trojan War. As she fends off the attentions of a hundred greedy suitors, travelling minstrels regale her with news of Odysseus' epic adventures around the Mediterranean - slaying monsters and grappling with amorous goddesses. When Odysseus finally comes home, he kills her suitors and then, in an act that served as little more than a footnote in Homer's original story, inexplicably hangs Penelope's twelve maids. Now, Penelope and her chorus of wronged maids tell their side of the story in a new stage version by Margaret Atwood, adapted from her own wry, witty and wise novel. The Penelopiad premiered with the Royal Shakespeare Company in association with Canada's National Arts Centre at the Swan Theatre, Stratford-upon-Avon, in July 2007.

This archaeological study of textiles and costume considers all aspects of early Anglo-Saxon clothing-how textiles were made in the early Anglo-Saxon settlements, how the cloth was fashioned into garments and the nature of the clasps and jewellery with which the clothes were worn. Drawing on the author's 38 years of experience, and a database of 3,800 finds, it includes a review of the primary evidence from 162 Anglo-Saxon cemeteries, where small fragments of the dead's clothes have been preserved with brooches, pins and necklaces. Regional styles of dress, the social and cultural meaning behind changing fashions, the role of women in textile production, and Scandinavian and Continental influences help to place the study in its broader historical and archaeological context. The volume is amply illustrated with line drawings of craft processes and reconstructions of individual costumes.

Penelope is certain that she is royalty because of all the similarities between her life and that of a princess.

Eve of the Festival is a study of Homeric myth-making in the first and longest dialogue between Penelope and Odysseus (Odyssey 19). The author makes a case for seeing virtuoso myth-making as an essential part of this conversation, a register of communication which provides the speakers with a coded way of exchanging their thoughts. At the core of the book is a detailed examination of several myths in the dialogue to understand what is being said and to what effect. The dialogue is interpreted as an exchange of performances which have for their occasion the eve of Apollo's festival and which amount to activating, and even enacting, the myth corresponding within the Odyssey to this ritual event. --Book Jacket.

The Embroidered Armour examines the Greek Mysteries, mythology and legends that heralded a revolution in thinking between the time of Homer and Plato, which gave birth to the Western cultural tradition. In investigating ancient Greek concepts concerning the relationship between seeing and knowing, Roberto Peregalli presents an eloquent demonstration of the modernity of ancient Greek wisdom.