Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.

What can stories of magical engraved rings or prophetic inscriptions on walls tell us about how writing was perceived before print transformed the world? Writing beyond Pen and Parchment introduces readers to a Middle Ages where writing is not confined to manuscripts but is inscribed in the broader material world, in textiles and tombs, on weapons or human skin. Drawing on the work done at the Collaborative Research Centre “Material Text Cultures,” (SFB 933) this volume presents a comparative overview of how and where text-bearing artefacts appear in medieval German, Old Norse, British, French, Italian and Iberian literary traditions, and also traces the paths inscribed objects chart across multiple linguistic and cultural traditions. The volume’s focus on the raw materials and practices that shaped artefacts both mundane or fantastical in medieval narratives offers a fresh perspective on the medieval world that takes seriously the vibrancy of matter as a vital aspect of textual culture often overlooked.

Informed by the historical evidence and with a sharp eye for telltale clues in the Apostle Paul's letters, E. Randolph Richards takes us into his world and places us on the scene with Paul the letter writer offering a glimpse that overthrows our preconceptions and offers a new perspective on how this important portion of Christian Scripture came to be.

From the writers of acclaimed blog Pen & Palate, a humorous coming-of-age (and mastering-the-art-of-home-cooking) memoir of friendship, told through stories, recipes, and beautiful illustrations. Getting through life in your twenties isn't easy--especially if you're broke, awkward, and prone to starting small grease fires in your studio apartment. For best friends Lucy Madison and Tram Nguyen, cooking was an escape from the daily humiliation that is being a twenty-something woman in a big city. Pen & Palate traces the course of Lucy and Tram's devoted friendship through miserable jobs and tiny apartments, first loves and ill-advised flings, successes and setbacks--always with a shared love of food at the center of the narrative. A modern take on Laurie Colwin's classic Home Cooking, this coming-of-age memoir for the Girls set weaves together comical (mis)adventures and recipes meant to be shared with a best friend and a bottle of wine.

Catalog of an exhibition held at the Institute for the Study of the Ancient World from February 14, 2018-May 13, 2018.

Through astonishing force of will and exertion of talent, a young Lucy Hickenlooper of South Texas reinvented herself as Olga Samaroff, international virtuoso concert pianist and one of the most influential musicians during the first half of the twentieth century, when music was still dominated by men and Old World prejudices. For those unfamiliar with her career, Olga Samaroff Stokowski may be known primarily for her tumultuous marriage to renowned conductor Leopold Stokowski. She was much more than a conductor's wife, however. Donna Staley Kline's biography reveals Olga as the driving and shaping force behind her husband's genius and offers the first considered look at a pioneering woman whose own career was marked by improbable firsts. She was the first American woman to win entrance into the piano class at Paris's prestigious Conservatoire Nationale de Musique; the first American female pianist to make her concert debut at Carnegie Hall, as well as to perform all thirty-two Beethoven sonatas; the first woman to serve as the music critic for a New York daily newspaper; the first American-born member of the piano faculty at the Juilliard School of Music; and among the first to make recordings and break ground in radio and television broadcasting. Carefully researched and drawing on interviews with her contemporaries and students, as well as on heretofore neglected letters and documents, An American Virtuoso on the World Stage will appeal to both music lovers and scholars in the field who seek a lively and penetrating look at one of American music's most important women. Olga's life story is of an American progressive who sought innovation and excellence and refused to yield to themusical establishment - and it is a story that has waited to be told.