From the acclaimed author of Hideous Kinky, Peerless Flats confirms Freud as one of the best writers about childhood we have

A mesmerising coming-of-age tale set in sun-drenched Tuscany, from the author of Hideous Kinky and I Couldn't Love You More 'A vividly rendered portrait of a young girl's journey towards self discovery and maturity' Daily Mail 'Love Falls captures the delicious uncertainty and electrifying beginnings of first love' Glamour It is July, three months after Lara's seventeenth birthday, and a week before Charles and Diana's Royal Wedding. When Lara's father, a man she barely knows, invites her to accompany him on holiday, she finds herself far away from the fumes of London's Holloway Road in the sun-scorched hillsides of Tuscany. There she meets the Willoughby family, rife with illicit alliances and vendettas. The more embroiled Lara becomes with them, and with the carelessly beautiful Kip, the more consumed she is with doubt, curiosity and dread. And so begins her intoxicating, troubled journey into self discovery and across the very fine line between childhood and what lies beyond ...

This reader’s guide provides uniquely organized and up-to-date information on the most important and enjoyable contemporary English-language novels. Offering critically substantiated reading recommendations, careful cross-referencing, and extensive indexing, this book is appropriate for both the weekend reader looking for the best new mystery and the full-time graduate student hoping to survey the latest in magical realism. More than 1,000 titles are included, each entry citing major reviews and giving a brief description for each book.

Ten years after the success of the 1983 Best of Young British Novelists issue, four judges -- A.S. Byatt, Salman Rushdie, bookseller John Mitchinson and Granta editor Bill Buford -- set out to identify twenty more young and promising writers. The list introduced astonishing emerging talents: Alan Hollinghurst, Will Self, Hanif Kureishi, A.L. Kennedy and many more. A widely varied anthology including novel extracts and stories that showcase a generation of writers coming into its own.

The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. Lucian Freud (1922-2011) is one of the most influential figurative painters of the 20th century. His paintings are in every major museum and many private collections here and abroad. William Feaver's daily calls from 1973 until Freud died in 2011, as well as interviews with family and friends were crucial sources for this book. Freud had ferocious energy, worked day and night but his circle was broad including not just other well-known artists but writers, bluebloods, royals in England and Europe, drag queens, fashion models gamblers, bookies and gangsters like the Kray twins. Fierce, rebellious, charismatic, extremely guarded about his life, he was witty, mischievous and a womanizer. This brilliantly researched book begins with the Freuds' life in Berlin, the rise of Hitler and the family's escape to London in 1933 when Lucian was 10. Sigmund Freud was his grandfather and Ernst, his father was an architect. In London in his twenties, his first solo show was in 1944 at the Lefevre Gallery. Around this time, Stephen Spender introduced him to Virginia Woolf; at night he was taking Pauline Tennant to the Gargoyle Club, owned by her father and frequented by Dylan Thomas; he was also meeting Sonia Orwell, Cecil Beaton, Auden, Patrick Leigh-Fermor and the Aly Khan, and his muse was a married femme fatale, 13 years older, Lorna Wishart. But it was Francis Bacon who would become his most important influence and the painters Frank Auerbach and David Hockney, close friends. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life—"my work is purely autobiographical"—and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic. This book is a major achievement, a tour de force that reveals the details of the life and innermost thoughts of the greatest portrait painter of our time. Volume I has 41 black and white integrated images, and 2 eight-page color inserts.