A book of verse that is both insightful and thought provoking, with a full range of poetry that goes from the depths of the human heart to the upper reaches of all existence.

We spend a great deal of time in life wondering what is going on in various situations. Sometimes we are misled by people who have an agenda, other times by people who have the wrong impression, and other times by situations involving subtle realities that intertwine in confusing ways. Having gotten two degrees in engineering and applied them in industry as an analyst, the author long ago came to regard the provable truth to be something breathtakingly beautiful. In this regard, the author has also been left with the impression that there are many good, intelligent people wandering around with marching orders, saying, "Believe this or that!" but the results of this belief seem incongruous with reality. And so it seemed that there was a need for a well-versed reference source to better explain reality. The author didn't realize what service was being provided by his poetry until long after the first poem had been written. The fact that the title referred to a verse and that poetry contains verses serves as a pun in the title. Not all poems in this work refer to the same subjects. Many things we encounter in life can be confusing, including love, patriotism, politics, the feminine mystique, modern business, spin doctors (whom the author is none too fond of), advertisers, and pets, to name a few. It will not be claimed that the interpretations of what is happening are infallible. But the author did get more than a few happy a has at the end of various poems and hopes that the reader will respond with similar pleasure.

The Bible's opening chapter includes these words: "So God created humans in his image, in the image of God he created them; male and female he created them." We are created beings, with a unique status in creation. Nothing is more fundamental to Christian faith. Yet biologists present extensive data and provide a picture of how our species came to be, but there is no Creator in the intricate details of the painting they provide. If the scientific evidence for the evolution picture is reasonable--and, in general, it is--and if humans were indeed created from a common ancestor of the great apes, then what can be said about the Artist who Christians believe was at work? Vague answers are not satisfactory anymore--not in this scientific age. Recent mainstream data from paleoanthropology and genetics suggest that the basis of our species' success was not that they were superior fighters. Rather, the reason our ancestors thrived was likely their ability to function cooperatively in groups--to respect each other and to get along. This reframes the question about the nature of the hovering Spirit's activity in bringing our species into being. And that is the subject of this book.

A satirical, eye-watering novel about mental health care and modern values, based on the author's travails as a psychiatric nurse. Not to be forgotten.

Taking the novel position of dealing with law, classical rhetoric and feminism concurrently, this book considers the effects of beliefs about language on those who attempt to theorize about and use law to accomplish practical and political purposes. The author employs Aristotle's terminology to analyze economic and literary schools of thought in the US legal academy, noting the implicit language theory underlying claims by major thinkers in each school about the nature of law and its relationship to justice. The underlying assumption is that, as law can only work through language, beliefs about its relationship to justice are determined by assumptions about the nature of language. In addition, the author provides an alternative, feminist rhetoric that, being focused on the production of texts rather than their interpretation, offers a practical ethic of intervention.

The New York Times bestseller that provides a simple, proven approach to improve accountability and the bottom line. The economy crashes, the government misfires, businesses fail, leaders don't lead, managers don't manage, and people don't follow through, leaving us asking, "How did that happen?" Surprises caused by a lack of personal accountability plague almost every organization today, from the political arena to large and small businesses. How Did That Happen? offers a proven way to eliminate these nasty surprises, gain an unbeatable competitive edge, and enhance performance by holding others accountable the positive, principled way. As the experts on workplace accountability and the authors of The Oz Principle, Roger Connors and Tom Smith tackle the next crucial step everyone can take, whether working as a manager, supervisor, CEO, or individual performer: creating greater accountability in all the people on whom you depend.

The category of vision is significant for Modernist texts as well as for the unfolding discourse of Modernism itself. Within the general Modernist fascination with the artistic and experimental possibilities of vision and perception this study looks at Virginia Woolf’s novels and her critical writings and examines the relation between visuality and aesthetics. An aesthetics of vision, as this study argues, becomes a productive principle of narrative. The visual is not only pertinent to Woolf’s processes of composition, but her works create a kind of vision that is proper to the text itself – a vision that reflects on the experience of seeing and renegotiates the relation between the reader and the text. The study investigates key dimensions of aesthetic vision. It addresses vision in the context of theories of aesthetic experience and identifies a semantics of seeing. It analyses functions of symbolic materiality in the presentation of boundaries of perception, modes of temporality and poetic potentialities. In exploring the connections between vision and language, it seeks to provide new perspectives for a reassessment of what occurs in Modernism's relation to vision.