Treasury of piano music by great Norwegian composer, including Peer Gynt Suites Nos. 1 and 2 and the Holberg Suite, Vier Stucke, Op. 1; Humoresker, Op. 6; and many more. Authoritative C. F. Peters edition.

New collection displays composer's lyrical charm with 4 Etudes, Op. 2; 4 Pieces, Op. 3; 4 Pieces, Op. 4; Toccata, Op. 11; 10 Pieces, Op. 12; Sarcasms, Op. 17; Visions fugitives, Op. 22; Tales of an Old Grandmother, Op. 31; 4 pieces, Op. 32; and March and Scherzo, Op. 33 (from The Love for Three Oranges).

Gottschalk's Creole heritage and extensive visits to Cuba, the West Indies, and South America are reflected in this great-sounding, glittering, and wonderfully melodious music for piano duet. Contents include La jota aragonesa, Op. 14; Ojos criollos, Op. 37; Réponds-moi (Cuban dance), Op. 50; La gallina, Op. 53; Ses yeux (polka), Op. 66; Grande tarentelle, Op. posth. 67; Radieuse (concert waltz), Op. 72; and — as an encore — Gottschalk's legendary four-hand arrangement of Rossini's ever-popular William Tell Overture.

Complex, surprising pieces by a brilliant, underrated Russian 20th-century Romantic whose music, though similar to that of his friend Rachmaninoff, is more cerebral and harmonically adventurous. These 34 "fairy tales" for piano highlight the composer's gift for musical storytelling, with their intense polyrhythms, intricate textures, and complex harmonic development.

Full of the color, harmonies, and rhythms of Spanish folk music, this excellent, authoritative compilation of works by Granados features his finest pieces: A la cubana, Op. 36 (In Cuban style); Allegro de concierto, Op. 46 (Concert allegro); Capricho español, Op. 39 (Spanish caprice); Dos danzas españoles, Op. 37 (Two Spanish dances); Dos Impromptus; El pelele (The puppet); Marche militaire, Op. 38; Moresque y Cancion arabe (Moorish piece and Arabian song); Ochos valses poeticos (Eight poetic waltzes); Seis piezas sobre cantos populares españoles (Six pieces on Spanish folksongs); and the composer's own transcription of the world-famous Intermezzo from his opera Goyescas.

One of the most popular concertos ever written, and one of the most recognizable of all musical works in the standard repertoire. Deeply romantic, it is filled with great melodic inspiration.

Piano transcriptions of the syncopated, turn-of-the-century melodies created by such masters as Scott Joplin, Percy Wenrich, and Charles Hunter