"X. J. Kennedy's well-known travels between the realms of the comic and the serious qualify him for dual citizenship in the world of poetry. Here, the playful is on full display in verse not just 'light' but bright and delightful."--Billy Collins Peeping Tom's Cabin is the first full-length collection of light verse for adults composed by one of America's most celebrated poets. An uncompromising formalist, Kennedy uses a broad range of longstanding poetic forms, including limerick, nursery rhyme, ballad, rhymed epitaph, and clerihew. This collection includes many poems previously published in poetry and popular journals, including The Sewanee Review, The Atlantic Monthly, The New Yorker, and Poetry. These poems honor and skewer all classes of citizen, regardless of their revered place in society. Parents, lovers, poetry critics, students, and especially notable literary figures receive Kennedy's astute comic attention. "To Someone Who Insisted I Look Up Someone" I rang them up while touring Timbuktu, Those bosom chums to whom you're known as "Who?" X. J. Kennedy has published six collections of verse, including Nude Descending a Staircase, which received the Lamont Award from the Academy of American Poets. His newest collection, The Lords of Misrule, received the 2004 Poets' Prize. Kennedy has also authored eighteen children's books and several textbooks on fiction and poetry. Other recognitions include the Los Angeles Book Award for Poetry, the Aiken-Taylor Award, and Guggenheim and National Arts Council fellowships. Kennedy was also given the first Michael Braude Award for light verse by the American Academy and Institute of Arts and Letters.

The American Renaissance has been a foundational concept in American literary history for nearly a century. The phrase connotes a period, as well as an event, an iconic turning point in the growth of a national literature and a canon of texts that would shape American fiction, poetry, and oratory for generations. F. O. Matthiessen coined the term in 1941 to describe the years 1850–1855, which saw the publications of major writings by Hawthorne, Melville, Emerson, Thoreau, and Whitman. This Companion takes up the concept of the American Renaissance and explores its origins, meaning, and longevity. Essays by distinguished scholars move chronologically from the formative reading of American Renaissance authors to the careers of major figures ignored by Matthiessen, including Stowe, Douglass, Harper, and Longfellow. The volume uses the best of current literary studies, from digital humanities to psychoanalytic theory, to illuminate an era that reaches far beyond the Civil War and continues to shape our understanding of American literature.

On history of American film.

Selected by Choice magazine as an Outstanding Academic Title Few concepts are more widely discussed or more passionately invoked in American public culture than that of privacy. What these discussions have lacked, however, is a historically informed sense of privacy's genealogy in U.S. culture. Now, Milette Shamir traces this peculiarly American obsession back to the middle decades of the nineteenth century, when our modern understanding of privacy took hold. Shamir explores how various discourses, as well as changes in the built environment, worked in tandem to seal, regulate, and sanctify private spaces, both domestic and subjective. She offers revelatory readings of texts by Nathaniel Hawthorne, Frederick Douglass, Herman Melville, Harriet Beecher Stowe, Henry David Thoreau, and other, less familiar antebellum writers and looks to a wide array of sources, including architectural blueprints for private homes, legal cases in which a "right to privacy" supplements and exceeds property rights, examples of political rhetoric vaunting the sacred inviolability of personal privacy, and conduct manuals prescribing new codes of behavior to protect against intrusion.

"Snooping for original Stickley furniture on the grounds of a Pacific Northwest mental health facility, Wally Winchester discovers a clue about an icon thought to be lost, The Protectress of Russia, The Mother of God of Kazan. A Trans Siberian train from Monglolia [i.e Mongolia] to Moscow becomes a battlefield for religious zealots, true believers, and a guy who wants to sell the masterpiece in a New York auction."--Page 4 of cover