Provides a corrective to a neglected aspect of Jewish history in the South Diane Catherine Vecchio examines the diverse economic experiences of Jews who settled in what we today call Upstate South Carolina. Like other parts of the so-called New South, Upcountry South Carolina was a center of textile manufacturing and new business opportunities that drew entrepreneurial energy to the region. Previous histories of economic development in the South Carolina Piedmont have tended to overlook the significance of Jewish involvement and instead focused on northern investment and low labor costs. Working with a rich set of oral histories, memoirs, and traditional historical documents, Vecchio provides an important corrective to the history of manufacturing in South Carolina, and that revision is part of a large retelling of southern Jewish history, one that adds social and cultural dimensions to the traditional economic story. Vecchio explores Jewish community development, how Jewish business leaders also became civic leaders and affected social, political, and cultural life in what we now call the mountainous Upcountry. Their impact in all facets of life across the Upstate is important to understanding the growth of today's Spartanburg-Greenville corridor.

A new perspective on Jewish history in the South Diane Catherine Vecchio examines the diverse economic experiences of Jews who settled in Upcountry (now called Upstate) South Carolina. Like other parts of the so-called New South, the Upcountry was a center of textile manufacturing and new business opportunities that drew entrepreneurial energy to the region. Working with a rich set of oral histories, memoirs, and traditional historical documents, Vecchio provides an important corrective to the history of manufacturing in South Carolina. She explores Jewish community development and describes how Jewish business leaders also became civic leaders and affected social, political, and cultural life. The Jewish community's impact on all facets of life across the Upcountry is vital to understanding the growth of today's Spartanburg–Greenville corridor.

This is a print on demand edition of a hard to find publication. Examines terrorists¿ involvement in a variety of crimes ranging from motor vehicle violations, immigration fraud, and mfg. illegal firearms to counterfeiting, armed bank robbery, and smuggling weapons of mass destruction. There are 3 parts: (1) Compares the criminality of internat. jihad groups with domestic right-wing groups. (2) Six case studies of crimes includes trial transcripts, official reports, previous scholarship, and interviews with law enforce. officials and former terrorists are used to explore skills that made crimes possible; or events and lack of skill that the prevented crimes. Includes brief bio. of the terrorists along with descriptions of their org., strategies, and plots. (3) Analysis of the themes in closing arguments of the transcripts in Part 2. Illus.

Vol. 4 covers the late Roman period to the rise of Islam. Focuses especially on the growth and development of rabbinic Judaism and of the major classical rabbinic sources such as the Mishnah, Jerusalem Talmud, Babylonian Talmud and various Midrashic collections.

Setting up shop in rip-roaring Spanish Fort, Texas, in the early 1870s, Big Eddie Hager outfitted many cowboys in boots as they headed up the Chisholm Trail. Hager's fame and his company grew with the years, turning Hager Boots & Company, Incorporated, into a global legend. But when a Dallas newspaper reporter arrives in what's left of Spanish Fort, an old-timer sets the record straight by telling the true story of the man behind the Hager legend-the real cobbler of Spanish Fort. The Cobbler of Spanish Fort, published for the first time, kicks off this collection of short fiction by Johnny D. Boggs, the most awarded writer in the history of Western Writers of America with nine Spur Awards and 14 Spur finalist honors. A Piano at Dead Man's Crossing-a 2002 Spur winner-tells the story of an Arizona frontier family from the viewpoint of an upright grand piano. A Comanche warrior imprisoned at Florida's Fort Marion attempts to paint his way to freedom in Comanche Camp at Dawn; Buffalo Bill Cody and his wife fight it out to save their marriage in The Cody War; and Wild Bill Hickok umpires a baseball game in Kansas City in Umpire Colt-all Spur Award finalists. Don't expect gunfights on dusty streets. Boggs fills these 21 Western, Civil War and Southern tales, old and new, with quirky cowboys, revenge, humor, heroes, baseball, teens coming of age, and even a kid playing cowboys and Indians with his mother's hair curlers

Ghulam Bombaywala sells bagels in Houston. Demetrios dishes up pizza in Connecticut. The Wangs serve tacos in Los Angeles. How ethnicity has influenced American eating habits—and thus, the make-up and direction of the American cultural mainstream—is the story told in We Are What We Eat. It is a complex tale of ethnic mingling and borrowing, of entrepreneurship and connoisseurship, of food as a social and political symbol and weapon—and a thoroughly entertaining history of our culinary tradition of multiculturalism. The story of successive generations of Americans experimenting with their new neighbors’ foods highlights the marketplace as an important arena for defining and expressing ethnic identities and relationships. We Are What We Eat follows the fortunes of dozens of enterprising immigrant cooks and grocers, street hawkers and restaurateurs who have cultivated and changed the tastes of native-born Americans from the seventeenth century to the present. It also tells of the mass corporate production of foods like spaghetti, bagels, corn chips, and salsa, obliterating their ethnic identities. The book draws a surprisingly peaceful picture of American ethnic relations, in which “Americanized” foods like Spaghetti-Os happily coexist with painstakingly pure ethnic dishes and creative hybrids. Donna Gabaccia invites us to consider: If we are what we eat, who are we? Americans’ multi-ethnic eating is a constant reminder of how widespread, and mutually enjoyable, ethnic interaction has sometimes been in the United States. Amid our wrangling over immigration and tribal differences, it reveals that on a basic level, in the way we sustain life and seek pleasure, we are all multicultural.