First published in 1988, this classic text is established as one of the most important discussions of the language of literature. Re-issued as a result of recent critical interest, this edition includes a new preface by the author.

First published in 1988, this classic text is established as one of the most important discussions of the language of literature. Re-issued as a result of recent critical interest, this edition includes a new preface by the author.

First published in 1988, Peculiar Language is now established as one of the most important discussions of the language of literature. This thought-provoking book challenges traditional notions of literary criticism, arguing that all attempts by writers, critics and literary theorists to define the language of literature have involved self-contradiction. Through examination of key moments in literary history, Derek Attridge demonstrates that such contradictions in accounts of literary language are embedded in our cultural concept of 'literature' and asserts that in order to appreciate the forces that determine the limits of literary language, we must look beyond the realm of the 'literary' and embrace the wider political and social sphere. Re-issued as a result of sustained critical interest in the book, this edition includes a new preface by the author.

Through innovative interdisciplinary methodologies and fresh avenues of inquiry, the nine essays collected in A Peculiar Mixture endeavor to transform how we understand the bewildering multiplicity and complexity that characterized the experience of German-speaking people in the middle colonies. They explore how the various cultural expressions of German speakers helped them bridge regional, religious, and denominational divides and eventually find a way to partake in America’s emerging national identity. Instead of thinking about early American culture and literature as evolving continuously as a singular entity, the contributions to this volume conceive of it as an ever-shifting and tangled “web of contact zones.” They present a society with a plurality of different native and colonial cultures interacting not only with one another but also with cultures and traditions from outside the colonies, in a “peculiar mixture” of Old World practices and New World influences. Aside from the editors, the contributors are Rosalind J. Beiler, Patrick M. Erben, Cynthia G. Falk, Marie Basile McDaniel, Philip Otterness, Liam Riordan, Matthias Schönhofer, and Marianne S. Wokeck.

FOURTEEN-YEAR-OLD Myles Cook is having a rough time. Not only has his mother run off with Jocelyn, her yoga instructor, Myles and his dad have moved to a tiny rural island on BC's west coast to live in a log cabin. Garcia Island is nothing like Myles' old home in the city; there are no stores, the WiFi is sketchy, and let's face it, the people are strange. There's Clyde, the old guy in the silver airstream trailer who carves erotic demon sculptures from wood, Daisy Archibald, the island coven's high priestess (whom Myles secretly believes is a hack), and Axel Jespersen--a recumbent cyclist and angora goat farmer who is just plain nasty! Finally, there is Norm next door, a man who teaches Myles a little about llamas and a lot about life. Factor in a taxidermy raccoon (with superpowers), a first crush, and a whole lot of growing pains, and Myles quickly discovers that truth really is stranger than fiction. But people can be full of surprises, and as the saying goes, you can't always judge a book by its cover. And sometimes, when things are out of your control, the best thing you can do is simply stand tall, take a deep breath and just go with the flow. (Well, you can try!)