A slender satirical gem from the “master of malice and mayhem” (The New York Times) The Ballad of Peckham Rye is a wickedly farcical tale of an English factory town turned upside-down by a Scot who may or may not be in league with the Devil. Dougal Douglas is hired to do “human research” into the lives of the workers, Douglas stirs up mutiny and murder.

The stars have cursed us. After the devastating events at Zodiac Academy, we have to deal with this darker world we're faced with. Lionel seeks to hurt us, the Nymphs seek to hurt the entire Fae race, and between all of it, we just have to try and survive each day as it comes. I'm afraid of everything falling apart, but it looks like it already has.

Awakened by great shouted oaths below. Peeped over the side of the manger and saw a Belgian lass milking and addressing a cow with a comprehensive luridness that left no doubt in my mind that British soldiers had been billeted here before.' - Private Norman Ellison, 1/6th King’s Liverpool Regiment Humor helped the British soldier survive the terrible experiences they faced in the trenches of the Western Front during the Great War. Human beings are complicated, and there is no set pattern as to how they react to the outrageous stresses of war. But humor, often dark and representative of the horrors around them could and often did help. They may have been up to their knees in mud and blood, soaking wet and shot at from all sides, but many were still determined to see the ‘funny side’, rather than surrender to utter misery. Peter Hart and Gary Bain have delved deep into the archives to find examples of the soldier’s wit. The results are at times hilarious but rooted in tragedy. You have to laugh or cry.

Howard Brenton is one of Britain's best-known and most controversial dramatists Christie in Love is based on the story of John Christie, the 19th century serial killer, "like Genet, [Brenton] feels for the outcast...But he's less sentimentally involved with his criminals, clearer about his ultimate strategy to show the unreality of straight lines in a curved universe, of the roles society forces on us." (Observer). "Doing our 'umble best, Ma'am to wreck society", Magificence puts the small people and their protests against the bourgeois state on stage; it was described as "A wonderful piece of theatre; annexing whole new chunks of modern life and presenting them in a style at once fruitful and magnified." (The Times) In The Churchill Play, Brenton brings Churchill back to life to view the future that he invented for England and "Brenton finds a way of making us look again at the past which has shaped the future into which he sees us drifting" (New Society). Weapons of Happiness is "a vision of revolution which is quite extraordinary in its creative ambiguity, its richness, its power to stimulate, to threaten and to inspire" (Sunday Times) while Epsom Downs "echoes Bartholomew Fair: a great public festival, held on common land and pulling in punters of every degree...a teaming, Bruegel-like composition" (The Times) The last play in this collection Sore Throats, is a witty and harsh examination of sexual proclivities from within and outside marriage: "No recent play compares for theatrical power and painful bravado." (Observer)