Mervyn Peake (1911-1968) was a prolific and astonishingly original writer and artist, who touched at one time or another on almost every literary form. "Peakes Progress" is a selection, compiled by his widow, Maeve Gilmore, from every period of his work as a writer and draughtsman. It contains a remarkable work from childhood. ?The White Chief of the ?Umzimbooboo Kaffirs, the early ?Mr. Slaughterboard, which foreshadows the Titus books, two plays, ?the Wit to Woo and ?Noahs Ark, a broadcast version of ?Mr. Pye, and a generous selection of Peakes short stories, poems and nonsense verses as well as his drawings. Including a new preface written by Mervyn Peakes son, Sebastian, this edition of Peakes Progress is published to coincide with the centenary of Peakes birth.

COLLECTIONS & ANTHOLOGIES OF VARIOUS LITERARY FORMS. Mervyn Peake (1911-1968) the immensely talented writer, artist, poet and playwright,is best-known for his gothic masterpiece, the Gormenghast trilogy, and his stunning illustrations for Alice in Wonderland and Alice through the Looking Glass. He was a prolific and astonishingly original writer, who touched at one time or another on almost every literary form. Peake's Progress is a selection, compiled by his widow, Maeve Gilmore, from every period of his work as writer and draughtsman. It contains a remarkable work from childhood, 'The White Chief of the Umzimbooboo Kaffirs', the early 'Mr. Slaughterboard', which foreshadows the 'Titus' books, two plays, 'The Wit to Woo' and 'Noah's Ark', a broadcast version of 'Mr Pye', and a generous selection from Peake's short stories, poems and nonsense verses as well as from his drawings.

Gathers poems, short stories, plays, nonsense verse, and book illustrations by the British author

First in the classic gothic trilogy. “A masterpiece . . . a moody, melancholy comedy with an underlying wit and profundity that cannot be denied.” —Speculiction The basis for the 2000 BBC series Now in development by Showtime As the novel opens, Titus, heir to Lord Sepulchrave, has just been born. He stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle. Meanwhile, far away and in the kitchen, a servant named Steerpike escapes his drudgework and begins an auspicious ascent to power. Inside of Gormenghast, all events are predetermined by complex rituals, the origins of which are lost in time. The castle is peopled by dark characters in half-lit corridors. Dreamlike and macabre, Peake’s extraordinary novel is one of the most astonishing and fantastic works in modern fiction. Praise the Gormenghast Trilogy “Mervyn Peake is a finer poet than Edgar Allan Poe, and he is therefore able to maintain his world of fantasy brilliantly through three novels. It is a very, very great work.” —Robertson Davies, New York Times-bestselling author “A sumptuous, poetic epic . . . considered by some to have an equal or even greater degree of importance to the development of modern fantasy as Tolkien’s The Lord of the Rings.” —SFF180 “Mervyn Peake’s gothic masterpiece, the Gormenghast trilogy, begins with the superlative Titus Groan, a darkly humorous, stunningly complex tale of the first two years in the life of the heir to an ancient, rambling castle . . . This true classic is a feast of words unlike anything else in the world of fantasy. Those who explore Gormenghast castle will be richly rewarded.” —SFF Book Reviews

For well over half a century, since the first credible warnings of petroleum depletion were raised in the 1950s, contemporary industrial civilization has been caught in a remarkable paradox: a culture more focused on problem solving than any other has repeatedly failed to deal with, or even consider, the problem most likely to bring its own history to a full stop. The coming of peak oil-the peaking and irreversible decline of world petroleum production-poses an existential threat to societies in which every sector of the economy depends on petroleum-based transport, and no known energy source can scale up extensively or quickly enough to replace dwindling oil supplies. Not The Future We Ordered is the first study of the psychological dimensions of that decision and its consequences, as a case study in the social psychology of collective failure, and as an issue with which psychologists and therapists will be confronted repeatedly in the years ahead.