Breathtakingly beautiful and exotic, the peacock inspires devotion among both artists and bird lovers. Its iridescent plumage, when fully displayed, is a delight to behold. The bird itself, as Christine E. Jackson notes in Peacock, appears to enjoy its audience, preening and strutting about within a few feet of humans. It is not surprising, then, that these vain birds and their distinctive feathers have been the prized possessions of kings for nearly three thousand years. Jackson here explores the peacock’s beauty—and its apparent attitude—through fairy tales, fables, and superstitions in both Eastern and Western cultures. Peacock takes stock of the bird as it appears within art, from the earliest mosaics to medieval illuminated manuscripts to modern graphics, with a special emphasis on the peacock’s symbolic value in the nineteenth-century arts and crafts and art nouveau movements. Jackson further details the peacock’s colorful presence in hats, clothing, and even sports equipment. A sweeping combination of social and natural history, Peacock is the first book to bring together all the shimmering, colorful facets of these magnificent birds.

Yezidism is a fascinating part of the rich cultural mosaic of the Middle East. The Yezidi faith emerged for the first time in the twelfth century in the Kurdish mountains of northern Iraq. The religion, which has become notorious for its associations with 'devil worship', is in fact an intricate syncretic system of belief, incorporating elements from proto-Indo-European religions, early Iranian faiths like Zoroastrianism and Manichaeism, Sufism and regional paganism like Mithraism. Birgul Acikyildiz here offers a comprehensive appraisal of Yezidi religion, society and culture. Written without presupposing any prior knowledge about Yezidism, and in an accessible and readable style, her book examines Yezidis not only from a religious point of view but as a historical and social phenomenon. She throws light on the origins of Yezidism, and charts its development and changing fortunes - from its beginnings to the present- as part of the general history of the Kurds. Her book is the first to place Yezidism in its complete geographical setting in Northern Iraq, Turkey, Syria and Transcaucasia. The author describes the Yezidi belief system (which considers Tawusi Melek - the 'Peacock Angel' - to be ruler of the earth) and its religious practices and observances, analysing the most important facets of Yezidi religious art and architecture (including funerary monuments and zoomorphic tombstones) and their relationship to their neighbours throughout the Middle East. Acikyildiz also explores the often misunderstood connections between Yezidism and the Satan/Sheitan of Christian and Muslim tradition. Richly illustrated, with accompanying maps, photographs and illustrations, this pioneering book will have strong appeal to all those with an interest in the culture of the Kurds, as well as the wider region.

By the turn of the 21st century, animation production has grown to thousands of hours a year in the People’s Republic of China (PRC). Despite this, and unlike American blockbuster productions and the diverse genres of Japanese anime, much animation from the PRC remains relatively unknown. This book is an historical and theoretical study of animation in the PRC. Although the Wan Brothers produced the first feature length animated film in 1941, the industry as we know it today truly began in the 1950s at the Shanghai Animation Film Studio (SAFS), which remained the sole animation studio until the 1980s. Considering animation in China as a convergence of the institutions of education, fine arts, literature, popular culture, and film, the book takes comparative approaches that link SAFS animation to contemporary cultural production including American and Japanese animation, Pop Art, and mass media theory. Through readings of classic films such as Princess Iron Fan, Uproar in Heaven, Princess Peacock, and Nezha Conquers the Dragon King, this study represents a revisionist history of animation in the PRC as a form of "postmodernism with Chinese characteristics." As a theoretical exploration of animation in the People’s Republic of China, this book will appeal greatly to students and scholars of animation, film studies, Chinese studies, cultural studies, political and cultural theory.

A vampire ancestor, a five-clawed golden dragon, a Flaming Mirror of Emperor, a Sorrowful God Sword, and a young man in white clothes floating over from Hua Xia, stepping into the underworld with a sword. In this great dark yellow world, laughing at the buddhas of the world, wanting to break the will of heaven to die, to live to the end of time, until the mountains and rivers are reborn, until the universe is cleared, the gods are silent, the sky is clear, the end of cultivation, we cultivators will bear the burden of our hearts! 

"Two Books In One" The New World Order's Letter to Every Citizen of the World warning Resistance is Futile. According to this letter addressed to everybody in America, it's useless to resist a one world takeover, as the program is in its final stages. The Very word secrecy is repugnant in a free and open society, and we are as people inherently and historically opposed to secret societies, to secret oaths and to secret proceedings. We decided long ago that the dangers of excesive and unwarranted concealment of pertinent facts far outweighed the dangers which are cited to justify. "If you have the privilege to know, you have the duty to act"

Until Flynn’s neighbor in North Carolina offered him one, he had never considered whether he wanted a peacock. His family became the owners of not one but three charming yet fickle birds: Carl, Ethel, and Mr. Pickle. Here he chronicles their first year as peacock owners, from struggling to build a pen to assisting the local bird doctor in surgery to triumphantly watching a peahen lay her first egg. He also examines the history of peacocks, from their appearance in the Garden of Eden. And Flynn travels across the globe to learn more about the birds firsthand. His book offers surprising lessons about love, grief, fatherhood, and family. -- adapted from jacket.