This work presents material about the Brethren in Christ, a small, little-known religious group. In addition to drawing from official church doctrine, statements and records, it also features a variety of authors in church-related publications, records of congregational life, and archival sources.

Brief essays by New York Times bestselling author Michael Perry on memorials and mercy, storms and farewells, family and fowl, barnyard ballets, the Sunday night sads, the wisdom of roadies, cucumbers and kindness, quotidian asparagus, appropo malaprops, pickleball, sushi boats and weird TV, the poetics of garlic, contrails, Mobius mind-grooves, quietude, Christmas tree injuries, cats, waffle houses, puffy partridges, bonfire bonhomie, dating in a hearse, and more. Gathered from his most recent "Roughneck Grace" columns, this is Michael Perry on: Bad days: "First thing I did today was back into the garage door. From the inside." Releasing injured birds: "Nature gives odds, not insurance." Returning home: "Like hubcap spinners rotating at a stoplight, the sensation of a road trip lingers, even as we stare at the hearth." Contentment: "Find your happy place, they say, and so I am cutting up venison in the living room while watching the Packers." Daughters dating: "...sometimes it'd be nice to have Grandma back, just sitting over there in a rocking chair with her rifle." Hope: "A pair of wrens whose eggs may not hatch, but proceed as if that is the only outcome." Politics: "These days asking questions in public is like pulling the toilet handle while standing in the bowl." Physical fitness: "To say I run like a farmer is to insult a lot of farmers...my form was that of a man jogging while carrying two pails of milk shortly after eating a lard sandwich." On children: "How many times do we hold our children close under the guise of comforting them when in fact we are clinging to them as if they were the last buoy in a cold sea?" Peaceful Persistence picks up where the three other collections (Roughneck Grace, From the Top, and Million Billion) left off, and includes columns originally published between April 2018 and March 2020.

This book explores the movement experience of thirty Colorado peace activists, whose names are changed to conceal their identities. It provides a brief summary of the main currents of collective action theory, noting some of the existing research about participation in social movements.

The Art of Persistence examines the relations between art and politics in transwar Japan, exploring these via a microhistory of the artist, memoirist, and activist Akamatsu Toshiko (also known as Maruki Toshi, 1912–2000). Scaling up from the details of Akamatsu’s lived experience, the book addresses major events in modern Japanese history, including colonization and empire, war, the nuclear bombings, and the transwar proletarian movement. More broadly, it outlines an ethical position known as persistence, which occupies the grey area between complicity and resistance: Like resilience, persistence signals a commitment to not disappearing—a fierce act of taking up space but often from a position of privilege, among the classes and people in power. Akamatsu grew up in a settler-colonial family in rural Hokkaido before attending arts college in Tokyo and becoming one of the first women to receive formal training as an oil painter in Japan. She later worked as a governess in the home of a Moscow diplomat and traveled to the Japanese Mandate in Micronesia before returning home to write and illustrate children’s books set in the Pacific. She married the surrealist poet and painter Maruki Iri (1901–1995), and together in 1948—and in defiance of Occupation censorship—they began creating and exhibiting the Nuclear Series, some of the most influential and powerful artwork depicting the aftermath of the Hiroshima bombing. For the next forty or more years, the couple toured the world to protest war and nuclear proliferation and were nominated for the Nobel Peace Prize in 1995. With abundant excerpts and drawings from Akamatsu’s journals and sketchbooks, The Art of Persistence offers a bridge between scholarship on imperial Japan and postwar memory cultures, arguing for the importance of each individual’s historical agency. While uncovering the longue durée of Japan’s visual cultures of war, it charts the development of the national(ist) “literature for little citizens” movement and Japan’s postwar reorientation toward global multiculturalism. Finally, the work proposes ways to enlist artwork generally, and the museum specifically, as a site of ethical engagement.

With Contributions by John Piper, John MacArthur, Jerry Bridges, Randy Alcorn, and Helen Roseveare These powerful calls to godly perseverance from four admired Christians elevate the value and necessity of lifelong faithfulness in the lives of God's people. Many people seek to better their lives by leaving, changing, swapping, or modifying their commitments. But God's Word holds up a beautiful value that, while difficult, leads to deep satisfaction and great reward: endurance. Such long, steady, hold-the-course perseverance is especially needed within our vacillating generation. This thoughtful book thus not only elevates the virtue of godly endurance but bears witness to its power in the Christian life through the exhortations of John Piper-who provides the context and overview for the entire book-John MacArthur, Jerry Bridges, Randy Alcorn, and Helen Roseveare. Each contributor represents a different kind of endurance: from MacArthur's longtime, faithful shepherding of a church to Alcorn's radical obedience in the culture wars, from Bridges' unswerving patience through suffering to Roseveare's courageous constancy on the war-torn mission field. Stand will awaken and solidify rugged, Christ-exalting endurance in people who are weary in their faith journey or who simply long to remain firm to the end. And for everyone who dreams of a Christian culture-shift from brief trial runs to lifelong commitments, John Piper and Justin Taylor's latest offering is a watershed that will serve to seal that vision in people's minds and hearts.

In the half-century following the Revolutionary War, the logic of inequality underwent a profound transformation within the southern legal system. Drawing on extensive archival research in North and South Carolina, Laura F. Edwards illuminates those changes by revealing the importance of localized legal practice. Edwards shows that following the Revolution, the intensely local legal system favored maintaining the "peace," a concept intended to protect the social order and its patriarchal hierarchies. Ordinary people, rather than legal professionals and political leaders, were central to its workings. Those without rights--even slaves--had influence within the system because of their positions of subordination, not in spite of them. By the 1830s, however, state leaders had secured support for a more centralized system that excluded people who were not specifically granted individual rights, including women, African Americans, and the poor. Edwards concludes that the emphasis on rights affirmed and restructured existing patriarchal inequalities, giving them new life within state law with implications that affected all Americans. Placing slaves, free blacks, and white women at the center of the story, The People and Their Peace recasts traditional narratives of legal and political change and sheds light on key issues in U.S. history, including the persistence of inequality--particularly slavery--in the face of expanding democracy.