When Callie interviews the band, Brass Rat, for her school newspaper, her feelings are ambivalent, but when all the children of Northampton begin to disappear on Halloween, she knows where the dangerous search must begin.

During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.

Its been years since the serial kidnapper known as the Piper taunted the FBI through Scott Fleetwoods newspaper column. The exposure made Fleetwood famous, but it turned out he was talking to the wrong man, allowing the Piper to escape. Now the Piper is back, and this time hes taken Fleetwoods children. Original.

"She's Agatha Christie with an attitude; outrageous and engrossing at the same time." Steven Womack, NASHVILLE BANNER Book four in Sharyn McCrumb's Elizabeth MacPherson murder mystery series. A motley crew of American and British professionals and amateurs gathers for an archaeological dig into prehistoric burial rites on a small Scottish island. Things already aren't going so well, when one of the strongest in the crew dies suddenly. Afraid for her life, fellow digger and forensic anthropologist Elizabeth MacPherson probes the rocky topsoil for a reason behind the evil aura of death that seems to hover over them. Is the excavation cursed by the ancient dead...or is there a more modern explanation behind the group's strangely rising mortality rate...?

"Paying the Piper his Dues" is a true story told through the eyes of a major hustler who left the game in his prime. I was faced with a dilemma which was play the hand I was dealt or give up and fall prey to the streets. As a youngster I saw the local hustlers getting money and all of the girls this only fueled my fire. As a result I became fascinated with the game, I thought this would be my ticket to the American dream and my way out of the hood. Nobody told me glitter and glim ain't what it seem and everything you get from the game the price you must pay in return is too high. I was expelled from High School, went to jail and labeled. Thank God for my mother, and the Hank-Lady I finished High School and went on to graduate from Alabama State University. Nobody told me the life I chose would be easy, but nobody told it would be this hard. Thanks to my street teachers Shoe Strang, and Mike I was able to take the game by a storm. I lost a lot to the game for example, my first love, my homeboys, and most of all my childhood. It was hard for me for me to leave the game not because of the money but because I was concern about the people who dependent on me to feeding their families. I thank God I was able to leave the game. To all my youngster steer clear of the game because in the end the price is too high to pay take it from me.

A rock 'n' roll band to die for? Callie is about to find out.... Not much happens in fourteen-year-old Callie McCallan's sleepy Massachusetts town. So when the famous rock 'n' roll band, Brass Rat, schedules a concert in the Valley, it's big news. As a reporter for her school paper, Callie scores the scoop of a lifetime--a backstage pass to interview the lead singer of Brass Rat! Her friends are so jealous. But Callie isn't sure what the fuss is all about...until she meets the band. Lead singer Peter Gringras and his band mates are so cool. Especially Peter. When he plays his flute, it's as if he has some kind of hypnotic power. But there is something strange about the band, something Callie can't quite put her finger on. Maybe she's just being weird, but it's as if they're from here--but not from here--at the same time. It's when, on Halloween night, Callie's little brother Nicky disappears--along with all the other children of Northampton--that she begins to wonder if her suspicions are so weird after all. It's crazy, but Callie thinks she knows why the children have disappeared--and who took them. To prove it--and to rescue Nicky and the other children--Callie will be forced down a road that will lead to her to a mythical world filled with fantastical creatures. A world from which there may be no return.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.