Paxton's Botanical Dictionary

Paxton's Botanical Dictionary
Title Paxton's Botanical Dictionary PDF eBook
Author Samuel Hereman
Publisher BoD – Books on Demand
Pages 642
Release 2022-06-15
Genre Fiction
ISBN 3375060351

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Reprint of the original, first published in 1868.

Paxton's Botanical Dictionary

Paxton's Botanical Dictionary
Title Paxton's Botanical Dictionary PDF eBook
Author Sir Joseph Paxton
Publisher
Pages 650
Release 1868
Genre Botany
ISBN

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Paxton's Botanical Dictionary

Paxton's Botanical Dictionary
Title Paxton's Botanical Dictionary PDF eBook
Author Sir Joseph Paxton
Publisher
Pages 623
Release 1868
Genre Botany
ISBN

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Paxton's Botanical Dictionary

Paxton's Botanical Dictionary
Title Paxton's Botanical Dictionary PDF eBook
Author Sir Joseph Paxton
Publisher
Pages 648
Release 1868
Genre Botany
ISBN

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Paxton's Botanical Dictionary

Paxton's Botanical Dictionary
Title Paxton's Botanical Dictionary PDF eBook
Author Joseph Paxton
Publisher
Pages 623
Release 1980
Genre Botany
ISBN

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Paxton's botanical dictionary

Paxton's botanical dictionary
Title Paxton's botanical dictionary PDF eBook
Author Joseph Paxton
Publisher
Pages 623
Release 1988
Genre
ISBN

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Paxton's Botanical Dictionary

Paxton's Botanical Dictionary
Title Paxton's Botanical Dictionary PDF eBook
Author Samuel Hereman
Publisher Forgotten Books
Pages 638
Release 2017-10-16
Genre Science
ISBN 9780266406532

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Excerpt from Paxton's Botanical Dictionary: Comprising the Names, History, and Culture of All Plants Known in Britain; With a Full Explanation of Technical Terms Respecting the number of scientific terms herein explained, we may be allowed to say that no other popular glossary contains such a copious collection. Their explication is in exact accordance with the views of the most learned botanists, merely being reduced to dimensions which best comport with simplicity and conciseness. Considering the immense field which this volume occupies, the accentuation of generic, specific, and all purely botanical names that are not Anglicised, must be regarded as a highly valuable characteristic. By the extreme perspicuity of the marks employed, their full and universal adaptation, and the fact that they were all supplied by the first botanist in England, (dr. Lindley, ) the botanic student or other assiduous examiner will here meet with a fund of accurate instruction in this particular, to which only the most laboured and extremely expensive publication can at all pretend. It might be assumed that the signs used are sufficiently common to require no comment but, for the benefit of the less informed, we shall just show the manner in which they apply. In the first place, the vowel in each word over which the primary accent occurs, sustains all the emphasis of the syllabic pronunciation, independently of the real nature of the sign. Further, the employment of the long quantity or the short quantity simply denotes that the vowel above which they are placed is to be sounded long and broadly, or short and abruptly. To vary our expression, the short vowel is perpetually pronounced in conjunction with the next consonant, and the long one has its own distinct and final sound, as if the letter were doubled, but the voice rested on each. In all cases when the last syllable but one is marked long the accent falls on that syllable; and when the last syllable but one is marked short the accent falls on the last syllable but two. Thus Romani'is would be accented Romanus, and tricolor would be accented tricolor, although the i on which the accent is placed is short. It is extremely important to bear this in mind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.