A “vivid and extremely interesting” novel of an upper-class Chinese wife’s quest for freedom, from the Nobel Prize–winning author of The Good Earth (The New Yorker). At forty, Madame Wu is beautiful and much respected as the wife of one of China’s oldest upper-class houses. Her birthday wish is to find a young concubine for her husband and to move to separate quarters, starting a new chapter of her life. When her wish is granted, she finds herself at leisure, no longer consumed by running a sixty-person household. Now she’s free to read books previously forbidden her, to learn English, and to discover her own mind. The family in the compound are shocked at the results, especially when she begins learning from a progressive, excommunicated Catholic priest. In its depiction of life in the compound, Pavilion of Women includes some of Buck’s most enchanting writing about the seasons, daily rhythms, and customs of women in China. It is a delightful parable about the sexes, and of the profound and transformative effects of free thought. This ebook features an illustrated biography of Pearl S. Buck including rare images from the author’s estate.

A young Chinese woman falls in love with a Jewish man in nineteenth-century China in this evocative novel by the Nobel Prize–winning author of The Good Earth. In 1850s China, a young girl, Peony, is sold to work as a bondmaid for a rich Jewish family in Kaifeng. Jews have lived for centuries in this region of the country, but by the mid-nineteenth century, assimilation has begun taking its toll on their small enclave. When Peony and the family’s son, David, grow up and fall in love with one another, they face strong opposition from every side. Tradition forbids the marriage, and the family already has a rabbi’s daughter in mind for David. Long celebrated for its subtle and even-handed treatment of colliding traditions, Peony is an engaging coming-of-age story about love, identity, and the tragedy and beauty found at the intersection of two disparate cultures. This ebook features an illustrated biography of Pearl S. Buck including rare images from the author’s estate.

Peony has neither seen nor spoken to any man other than her father, a wealthy Chinese nobleman. Nor has she ever ventured outside the cloistered women's quarters of the family villa. As her sixteenth birthday approaches she finds herself betrothed to a man she does not know, but Peony has dreams of her own. Her father engages a theatrical troupe to perform scenes from The Peony Pavilion, a Chinese epic opera, in their garden amidst the scent of ginger, green tea and jasmine. 'Unmarried girls should not be seen in public,' says Peony's mother, but her father allows the women to watch from behind a screen. Here, Peony catches sight of an elegant, handsome man and is immediately bewitched. So begins her unforgettable journey of love, desire, sorrow and redemption.

Essay from the year 2006 in the subject American Studies - Literature, grade: 1,0, University of Siegen (FB 3: Literatur-, Sprach- und Medienwissenschaften), course: Nobel Prize Winners in English: Instantly Canonized?, language: English, abstract: In 1946, Pearl S. Buck, winner of the Nobel Prize in 1938, published Pavilion of Women, a novel about a Chinese woman who withdraws from married life by ordering a concubine for her husband. The inspiring work deals with Chinese traditions in particular as well as with general questions of individual freedom and existence, possession, love, religion, (female) psychology, gender issues and human interrelations. Although critics tend to complain especially about the story’s sentimentalism, there are, however, many colourful descriptions of Chinese habits and customs, which may not only teach Western readers a great deal about the exotic culture but also about divergent philosophical and psychological issues. This essay is, above all, to concentrate on the extraordinary female protagonist, Madame Wu, the matron of an influential aristocratic Chinese family. At this, focuses on questions like the following: How is the specific woman presented with regard to her (outer) physical appearance and body features, but also concerning her (inner) characteristic attributes, in other words, her mind? In what way are symbols employed to undermine her characteristics? And, how is the character development – from the indifferent rationalist to the woman capable for love – underlined?

As a result, the reader will find that Buck's female characters, with their different degrees of individuality and typicality, form a realistic picture of Chinese women."--BOOK JACKET.

Fictionized biography of Tzu-hsi, the last empress of China, who was known as "Old Buddha."

A novel of China. After her husband takes a concubine, Madame Liang sets out on her own, starting an upscale restaurant and sending her daughters to America to be educated. At the restaurant, the leaders of the People's Republic wine and dine and Madame Liang must keep a low profile for her daughters' sake. Soon her two eldest daughters are called back to serve the People's Republic. Her oldest daughter, Grace, now a doctor, finds meaning through her work. Things are not as easy for her daughter Mercy, a musician who is not in demand in the People's Republic, nor for her new husband who she has brought back to China with her. Watching her two daughters grow apart and knowing that her youngest daughter will never return, Madame Liang must also face the challenges of The Cultural Revolution, and how to keep herself and the restaurant, alive.