American psychologist, Paul Vitz, was a pioneer critic of the ‘me, me, me’ generation and humanistic psychology which flourished alongside it. He stands out because of the cultural, psychological and spiritual depth of his critique. Mythbusters are rare and Vitz is a mythbuster par excellence, tearing apart several generations of selfism with insight, wisdom and wit. Other critiques came much later. He saw it all at the time. This book takes the reader on a journey into the life and thought of a rare thinker, a questioner of ideological sacred cows, and one of the most original and gifted psychologists of the past century. PAUL VITZ WAS A VISIONARY FOR HIS TIME IN CONFRONTING AND MYTHBUSTING HUMANISTIC PSYCHOLOGY AMIDST ‘A TSUNAMI OF HUMANISTIC ADULATION.’ THIS BOOK GIVES PERCEPTIVE INSIGHTS INTO VITZ'S THOUGHT AND TIMES. WELL WORTH READING! – Catherine MacLaurin, Psychologist, Senior Wellbeing Advisor (SWA), Health and Safety Directorate, NSW Department of Education and Training, Australia THE AMERICAN PSYCHOLOGIST, PAUL VITZ, HAS BEEN A REMARKABLY PRESCIENT AND COURAGEOUS CRITIC OF THE HUMANIST PSYCHOLOGY MOVEMENT, HEADLINED BY CARL ROGERS. IN THIS BOOK, WANDA SKOWRONSKA HAS PROVIDED A THOROUGH AND CONVINCING ACCOUNT OF VITZ’S WORK. HER BOOK DESERVES A WIDE READERSHIP. – Colin Patterson STD, Dean and Permanent Fellow of the former John Paul II Institute, Melbourne, Australia. IN HER BOOK, WANDA SKOWRONSKA MASTERFULLY NARRATES THE PHILOSOPHICAL, THEOLOGICAL, AND HISTORICAL CONTEXT OF THE DEVELOPMENT OF HUMANISTIC PSYCHOLOGY, ESPECIALLY THAT OF CARL ROGERS, THROUGH THE LENS OF PAUL C. VITZ’S LIFE AND PUBLICATIONS. THIS WORK CRITIQUES THE INFLUENCES OF CONTEMPORARY PSYCHOLOGY’S HUMANISTIC ORIGINS OF SELF-FULFILMENT THEORIES AND CULTURAL MARXISM AND HONOURS THE LIFELONG WORK OF PAUL VITZ, WHO IS UNDOUBTEDLY ONE OF THE MOST SIGNIFICANT CATHOLIC PSYCHOLOGISTS OF OUR TIMES. – Professor Craig Steven Titus, S.Th [http://s.th/].D./Ph.D. Divine Word University, USA.

Sexual revolution, terrorism, student riots, civil rights, Stonewall Riots, feminism, and the publication of Humane vitae. The year 1968 is a milestone in twentieth-century history. The papers presented in this volume mark an interdisciplinary and wide-ranging approach to a year, and indeed a decade, whose movements and events are still very much alive in contemporary society. The fruits of the conference are published in this volume to invite ongoing reflection and a critical discourse to a watershed moment in our history and culture.

"In The Trial of Man: Christianity and Judgment in the World of Shakespeare, Craig Bernthal, a lawyer and Shakespeare scholar, shows how understanding the Elizabethan religious and legal context in which Shakespeare lived illuminates many of Shakespeare's works, including The Merchant of Venice, Hamlet, Measure for Measure, The Winter's Tale, The Tempest, Henry VIII, and Henry VI, Part II." ""Judgment," writes Bernthal, "is the archetypal situation for Shakespeare, the one event that every human being will have to face, on one of both sides of the grave," Bernthal's study protrays a Shakespeare heavily indebted in his notion of judgment - and in the comic and dramatic uses to which he puts it - to the doctrines of Christian theology, both Catholic and Protestant. Bernthal also shows how the legal culture and trials of Shakespeare's time, including the famous trial of Sir Walter Raleigh, influenced Shakespeare's approach to the difficulties surrounding human judgment - how to assess the truthfulness of testimony, determine the appropriate degree of punishment, and evaluate the justice of proposed remedies. Above all, Bernthal carefully attends to the ways in which Shakespeare probed the tension between justice and mercy in all its complexity." "Written for the lay reader, The Trial of Man is a captivating synthesis of literacy, historical, and legal scholarship."--Jacket.

This is the standard work on The Global Sexual Revolution. First published in 2012, it is translated into 15 languages and updated for this edition. The new ideology of gender denies the binary structure of human existence as man and woman and overthrows moral limitations of sexuality. This destroys marriage and family as the foundation of culture.

A cop from Wisconsin pursues a killer through the terrifying slums of Nairobi and the memories of genocide IN MADISON, WISCONSIN, it’s a big deal when African peace activist Joshua Hakizimana—who saved hundreds of people from the Rwandan genocide—accepts a position at the university to teach about “genocide and testimony.” Then a young woman is found murdered on his doorstep. Local police Detective Ishmael—an African-American in an “extremely white” town—suspects the crime is racially motivated; the Ku Klux Klan still holds rallies there, after all. But then he gets a mysterious phone call: “If you want the truth, you must go to its source. The truth is in the past. Come to Nairobi.” It’s the beginning of a journey that will take him to a place still vibrating from the genocide that happened around its borders, where violence is a part of everyday life, where big-oil money rules and where the local cops shoot first and ask questions later—a place, in short, where knowing the truth about history can get you killed.

Digital Literary Studies presents a broad and varied picture of the promise and potential of methods and approaches that are crucially dependent upon the digital nature of the literary texts it studies and the texts and collections of texts with which they are compared. It focuses on style, diction, characterization, and interpretation of single works and across larger groups of texts, using both huge natural language corpora and smaller, more specialized collections of texts created for specific tasks, and applies statistical techniques used in the narrower confines of authorship attribution to broader stylistic questions. It addresses important issues in each of the three major literary genres, and intentionally applies different techniques and concepts to poetry, prose, and drama. It aims to present a provocative and suggestive sample intended to encourage the application of these and other methods to literary studies. Hoover, Culpeper, and O’Halloran push the methods, techniques, and concepts in new directions, apply them to new groups of texts or to new questions, modify their nature or method of application, and combine them in innovative ways.

THE BRAND NEW NIGHTINGALES NOVEL BY SUNDAY TIMES BESTSELLING AUTHOR DONNA DOUGLAS. _______________________ It is Christmas, 1945. The war is over, but its scars remain. Matron Kathleen Fox has the job of putting the Nightingale Hospital back together. But memories and ghosts of those lost fill the bomb-damaged buildings, and she wonders if she's up to the task. In the name of festive cheer Kathleen decides to put on a Christmas Show for the patients. The idea is greeted with mixed feelings by the nurses, who are struggling with their own post-war problems. And the newly-formed rivalry between newcomer Assistant Matron Charlotte Davis and ward sister Violet Tanner is not helping matters. As rehearsals begin however, it seems the show is not just a tonic for the patients - could the Nightingale Christmas Show be just what the doctor ordered for the nurses too?