An account of the location of black intellectuals in the modern world following the end of racial slavery. The lives and writings of key African Americans such as Martin Delany, W.E.B. Dubois, Frederick Douglas and Richard Wright are examined in the light of their experiences in Europe and Africa.

He argues that the triumph of the image spells death to politics and reduces people to mere symbols."--BOOK JACKET.

In an effort to deny the ongoing effect of colonialism and imperialism on contemporary political life, the death knell for a multicultural society has been sounded from all sides. That's the provocative argument Paul Gilroy makes in this unorthodox defense of the multiculture. Gilroy's searing analyses of race, politics, and culture have always remained attentive to the material conditions of black people and the ways in which blacks have defaced the "clean edifice of white supremacy." In Postcolonial Melancholia, he continues the conversation he began in the landmark study of race and nation 'There Ain't No Black in the Union Jack' by once again departing from conventional wisdom to examine—and defend—multiculturalism within the context of the post-9/11 "politics of security." This book adapts the concept of melancholia from its Freudian origins and applies it not to individual grief but to the social pathology of neoimperialist politics. The melancholic reactions that have obstructed the process of working through the legacy of colonialism are implicated not only in hostility and violence directed at blacks, immigrants, and aliens but in an inability to value the ordinary, unruly multiculture that has evolved organically and unnoticed in urban centers. Drawing on the seminal discussions of race begun by Frantz Fanon, W. E. B. DuBois, and George Orwell, Gilroy crafts a nuanced argument with far-reaching implications. Ultimately, Postcolonial Melancholia goes beyond the idea of mere tolerance to propose that it is possible to celebrate the multiculture and live with otherness without becoming anxious, fearful, or violent.

Paul Gilroy is a major intellectual figure whose writings have led contemporary debates around race and the 'Black Atlantic'. Gilroy argues that our ideas about race are socially constructed by colonisation, philosophy, science and consumer capitalism but that the survival tools generated by those vulnerable to racism offer the key to challenging these racist constructions. This volume: Introduces and contextualises Gilroy's writing and key ideas Explains and elaborates on many of the cultural references from Punk music to Hegelian thought Emphasises the international relevance of Gilroy's thought - expanding the examples to a variety of cities and countries Emphasising the timelessness and global relevance of Gilroy's work, this useful book will appeal to anyone approaching Gilroy for the first time or seeking to further their understanding of race relations and the Black Atlantic.

Introduction Get Free or Die Tryin' Declaration of Rights Troubadours, Warriors, and Diplomats Notes Acknowledgements Index.

This classic book is a powerful indictment of contemporary attitudes to race. By accusing British intellectuals and politicians on both sides of the political divide of refusing to take race seriously, Paul Gilroy caused immediate uproar when this book was first published in 1987. A brilliant and explosive exploration of racial discourses, There Ain’t No Black in the Union Jack provided a powerful new direction for race relations in Britain. Still dynamite today and as relevant as ever, this Routledge Classics edition includes a new introduction by the author.

Straddling the field of popular cultural forms, Paul Gilroy shows how the African diaspora born from slavery has given rise to a web of intimate social relationships in which African-American, Caribbean and now black English elements combine.