During the era of the French revolution, patriots across Europe tried to introduce a national uniform. This book, the first comparative study of national uniform schemes, discusses case studies from Austria, Bulgaria, England, France, Germany, Hungary, Italy, the Netherlands, Spain, Sweden, Turkey the United States, and Wales.

During the era of the French revolution, patriots across Europe tried to introduce a national uniform. This book, the first comparative study of national uniform schemes, discusses case studies from Austria, Bulgaria, England, France, Germany, Hungary, Italy, the Netherlands, Spain, Sweden, Turkey the United States, and Wales.

Volume II surveys the history of fashion from the nineteenth-century to the present day. Covering the period beginning with mass industry and ending with calls for sustainability, this volume challenges the meaning of modernity and modernism from a global perspective and reflects on important scholarship that has changed our understanding of the relationship between fashion and colonialism. Empires shifted and new powers rose, with fashion marking and contending with this change. The volume concludes with a critical view of fashion and globalisation, and explores the deep connections between the fashion industry, the global economy, and the politics of production and wearing in the contemporary world.

Profiles girls and women who participated in the American Revolution by refusing to buy British merchandise, collecting money, and even going to war as wives, nurses, spies, or soldiers.

During the century after 1750, Great Britain absorbed much of the world's supply of gold into its pockets, cupboards, and coffers when it became the only major country to adopt the gold standard as the sole basis of its currency. Over the same period, the nation's emergence was marked by a powerful combination of Protestantism, commerce, and military might, alongside preservation of its older social hierarchy. In this rich and broad-ranging work, Timothy Alborn argues for a close connection between gold and Britain's national identity. Beginning with Adam Smith's Wealth of Nations, which validated Britain's position as an economic powerhouse, and running through the mid-nineteenth century gold rushes in California and Australia, Alborn draws on contemporary descriptions of gold's value to highlight its role in financial, political, and cultural realms. He begins by narrating British interests in gold mining globally to enable the smooth operation of the gold standard. In addition to explaining the metal's function in finance, he explores its uses in war expenditure, foreign trade, religious observance, and ornamentation at home and abroad. Britons criticized foreign cultures for their wasteful and inappropriate uses of gold, even as it became a prominent symbol of status in more traditional features of British society, including its royal family, aristocracy, and military. Although Britain had been ambivalent in its embrace of gold, ultimately it enabled the nation to become the world's most modern economy and to extend its imperial reach around the globe. All That Glittered tells the story of gold as both a marker of value and a valuable commodity, while providing a new window onto Britain's ascendance after the 1750s.

A richly illustrated exploration of fashion and its capacity for generating controversy and constructing social and individual identities Clothing matters. This basic axiom is both common sense and, in another way, radical. It is from this starting point that Michelle Liu Carriger elucidates the interconnected ways in which gender, sexuality, class, and race are created by the everyday act of getting dressed. Theatricality of the Closet: Fashion, Performance, and Subjectivity between Victorian Britain and Meiji Japan examines fashion and clothing controversies of the nineteenth century, drawing on performance theory to reveal how the apparently superficial or frivolous deeply affects the creation of identity. By interrogating a set of seemingly disparate examples from the same period but widely distant settings—Victorian Britain and Meiji-era Japan—Carriger disentangles how small, local, ordinary practices became enmeshed in a global fabric of cultural and material surfaces following the opening of trade between these nations in 1850. This richly illustrated book presents an array of media, from conservative newspapers and tabloids to ukiyo-e and early photography, that locate dress as a site where the individual and the social are interwoven, whether in the 1860s and 1870s or the twenty-first century.

NOW WITH A NEW EPILOGUE ON THE 2021 SEASON AND TOM BRADY’S BRIEF RETIREMENT NEW YORK TIMES BESTSELLER SPORTS ILLUSTRATED • NONFICTION BOOK OF THE YEAR National Sports Media Association • Book of the Year Kirkus Reviews • Best Nonfiction of the Year “Seth Wickersham has managed to do the impossible: he has pulled off the definitive document of the Belichick/Brady dynasty.” —Bill Simmons, The Ringer The explosive, long-awaited account of the making of the greatest dynasty in football history—from the acclaimed ESPN reporter who has been there from the very beginning. Over two unbelievable decades, the New England Patriots were not only the NFL’s most dominant team, but also—and by far—the most secretive. How did they achieve and sustain greatness—and what were the costs? In It's Better to Be Feared, Seth Wickersham, one of the country’s finest long form and investigative sportswriters, tells the full, behind-the-scenes story of the Patriots, capturing the brilliance, ambition, and vanity that powered and ultimately unraveled them. Based on hundreds of interviews conducted since 2001, Wickersham’s chronicle is packed with revelations, taking us deep into Bill Belichick’s tactical ingenuity and Tom Brady’s unique mentality while also reporting on their divergent paths in 2020, including Brady’s run to the Super Bowl with the Tampa Bay Buccaneers. Raucous, unvarnished, and definitive, It’s Better to Be Feared is an instant classic of American sportswriting in the tradition of Michael Lewis, David Maraniss, and David Halberstam.