The international bestseller, longlisted for the Dublin Literary Award 2021. Fernando Aramburu's Homeland is an epic and heartbreaking story of two best friends whose families are divided by the conflicting loyalties of terrorism. ‘It’s been a long time since I’ve read a book that was so persuasive and moving’ – Mario Vargas Llosa, author of Time of the Hero. The Basque Country, Spain, 2011. Miren and Bittori have lived side by side in a small Basque town all their lives. Their husbands play cards together, their children play and eventually go out drinking together. The terrorist threat posed by ETA seems to affect them little. When Bittori’s husband starts receiving threatening letters – demanding money, accusing him of being a police informant – she turns to her friend for help. But Miren’s loyalties are torn: her son has just been recruited as a terrorist and to denounce them would be to condemn her own flesh and blood. Tensions rise, relationships fracture, and events move towards a tragic conclusion . . . ‘Is Aramburu the Tolstoy of the Basque country, author of a Spanish language War and Peace?’ – Guardian

Defending 'la patria,' or 'homeland,' is the historical mission claimed by Latin American armed forces. For la Patria is a comprehensive narrative history of the military's political role in Latin America in national defense and security. Latin American civil-military relations and the role of the armed forces in politics, like those of all modern nation-states, are framed by constitutional and legal norms specifying the formal relationships between the armed forces and the rest of society. In actuality, they are also the result of expectations, attitudes, values, and practices evolved over centuries-integral aspects of national political cultures. Military institutions in each Latin American nation have resulted from that country's own blend of local and imported influences, developing a distinctive pattern of civil-military relations as defender of the fatherland and guarantor of security and order. Written by Latin American specialist Brian Loveman, For la Patria includes tables, maps, photographs, and a glossary that will assist the student in better understanding the military's intervention in politics in Latin America. This new text will give students a thorough and accessible history of Latin American armed forces and their actions in Latin American politics from colonial times to the present.

Often considered the father of anthropological studies in Mexico, Manuel Gamio originally published Forjando Patria in 1916. This groundbreaking manifesto for a national anthropology of Mexico summarizes the key issues in the development of anthropology as an academic discipline and the establishment of an active field of cultural politics in Mexico. Written during the upheaval of the Mexican Revolution, the book has now been translated into English for the first time. Armstrong-Fumero's translation allows readers to develop a more nuanced understanding of this foundational work, which is often misrepresented in contemporary critical analyses. As much about national identity as anthropology, this text gives Anglophone readers access to a particular set of topics that have been mentioned extensively in secondary literature but are rarely discussed with a sense of their original context. Forjando Patria also reveals the many textual ambiguities that can lend themselves to different interpretations. The book highlights the history and development of Mexican anthropology and archaeology at a time when scholars in the United States are increasingly recognizing the importance of cross-cultural collaboration with their Mexican colleagues. It will be of interest to anthropologists and archaeologists studying the region, as well as those involved in the history of the discipline.

Examines the work of prolific Dominican American writer Julia Alvarez. This is the first collection of critical essays on the works of Dominican American author Julia Alvarez. A prolific writer of nearly two dozen books of poetry, fiction, nonfiction, and children’s literature, Alvarez has garnered numerous international accolades, including the impressive F. Scott Fitzgerald Award for Outstanding Achievement in American Literature. She was one of only ten poets invited to write for President Obama’s inauguration in 2009, and her In the Time of the Butterflies was selected as a National Endowment for the Arts “Big Read,” putting her in the company of Mark Twain, Zora Neale Hurston, and Harper Lee. Yet, despite Alvarez’s commercial success and flourishing critical reputation, much of the published scholarship has focused on her two best-known novels—In the Time of the Butterflies and How the García Girls Lost Their Accents. Moving beyond Alvarez’s more recognizable work, the contributors here approach her wider canon from different points of access and with diverging critical tools. This enriches current discussions on the construction of selves in life writing, and nonfiction more generally, and furthers our understanding of these selves as particular kinds of participants in the creation of nation and place. In addition, this book provides fresh insight for transnational feminist studies and makes a meaningful contribution to the broader study of the gendered diaspora, as it positions Alvarez scholarship in a global context.

David, a man of the future from the planet Galaxias is time Warped to Earth in the Year 229CE as an investigative Geologist who falls out of favor for failure to comply with protocol and is left to die. He escapes to China and begins a reign of Piracy in the China Sea. He returns to Galaxias and takes vengeance only to return once more to China in the Song Dynasty and saw the armies of Genghis Khan Take control. He returns to Galaxias only to find discord so relocates to a new planet he called Nova Patria with his Elite Military forces.