Cowboy, army guide, farmer, peace officer, and character in his own right, John P. Meadows arrived in New Mexico from Texas as a young man. During his life in the Southwest, he knew or worked for many well-known characters, including William “Billy the Kid” Bonney, Sheriff Pat Garrett, John Selman, Hugh Beckwith, Charlie Siringo, and Pat Coghlan. Meadows helped investigate the disappearance of Colonel Albert Jennings Fountain, and he later bought part of downtown Tularosa, New Mexico, where he served a term as mayor. The recollections gathered here are based on Meadows’s interviews with a reporter for the Alamogordo News, a partial transcript of his reminiscences given at the Lincoln State Monument, and a talk he gave by invitation in Roswell, New Mexico, to refute inaccuracies in the 1930 MGM movie Billy the Kid.

Meadows helped investigate the disappearance of Colonel Albert Jennings Fountain, and later bought part of downtown Tularosa, New Mexico, where he served a term as mayor." "These recollections are an authentic voice of the frontier West. They inform the modern reader about what one man saw and heard in his long career in southern New Mexico."--Jacket.

Long before Sam Peckinpah finished shooting his 1973 Western, Pat Garrett and Billy the Kid, there was open warfare between him and the studio. In this scrupulously researched new book Paul Seydor reconstructs the riveting history of a brilliant director fighting to preserve an artistic vision while wrestling with his own self‐destructive demons. Meticulously comparing the film five extant versions, Seydor documents why none is definitive, including the 2005 Special Edition, for which he served as consultant. Viewing Peckinpah’s last Western from a variety of fresh perspectives, Seydor establishes a nearly direct line from the book Garrett wrote after he killed Billy the Kid to Peckinpah’s film ninety-one years later and shows how, even with directors as singular as this one, filmmaking is a collaborative medium. Art, business, history, genius, and ego all collide in this story of a great director navigating the treacherous waters of collaboration, compromise, and commerce to create a flawed but enduringly powerful masterpiece.

Pat Garrett, the sheriff of Lincoln County, New Mexico, claimed responsibility for the death of the notorious outlaw, Billy the Kid. This charge would not be his first lie, nor would it be his last, but it would be, by far, the most prominent. In a departure from the overwhelming literature that takes lawman Pat Garrett’s story—that he killed The Kid in a happenstance meeting in an isolated cabin—as historical truth, W.C. Jameson presents evidence to the contrary.

While many lionize Billy the Kid, the man who killed him, Sheriff Patrick Floyd Garrett, has a rarely told but riveting true story all his own. His adventurous life spawned many a far-fetched, exciting legend. In 1896, Garrett's investigation of the still-unsolved murder of Albert J. Fountain on the White Sands led to nothing but a gunfight and a dead deputy. Some say that Garrett faked the details the night the Kid was brought to ultimate justice, while others swear another wannabe hero did him in. In perfect irony, Garrett's own 1908 death is shrouded in mystery. Some report he died by the hand of Billy the Kid himself. Author John LeMay exposes fabricated tales for what they are and focuses on memories long forgotten about Billy the Kid's personal grave digger, Sheriff Pat Garrett.