This volume was first published by Inter-Disciplinary Press in 2015. How do humans conceive of, enact, embody, perform, control, commodify, proscribe and portray love and gender? How are our bodies, our identities, our beliefs, our representations of ourselves affected by love and gender – or perceptions of love and gender? What don’t we know? What don’t we talk about? Why? Have answers to all these questions changed over time? Across cultures? These and many other questions lie at the heart of this volume on the changing natures and intertwining of gender and love. Its contents encompass concepts of love within and of the self, in families and between specific family members, in sexual and intimate relationships, in spiritual practice, in communities, and seen through many different lenses and from a range of disciplines and approaches. Readers may be left with more questions than answers: we certainly hope so.

Gender and love are so intimately interconnected that it sometimes seems as though they bring each other into being. But their relationship is shifting as human society develops new understandings of identity, gender and the self. The chapters in this volume explore the convoluted and ever-changing nature of love, gender and identity from a variety of disciplines and perspectives, bearing testimony to the perennial appeal of this field of inquiry. There are chapters on the historical constructions of love and gender; the philosophical aspects; the faultlines in twenty-first-century heteronormativity; and the challenges of love from and within the margins. Gender and love are interdisciplinary and this volume will appeal to scholars from all disciplinary protocols.

GENDER IN HISTORY Praise for the first edition: “Wiesner-Hanks ... accomplishes a near-impossible feat - a review of what is known about the construction of gender and the character of women’s lives in all known cultures over the course of human history .... Theoretically sophisticated and doing justice to the historical and cross-cultural record, yet assimilable by students.” Choice “Gender in History brilliantly explores the influence of gender constructs in political, social, economic, and cultural affairs. The remarkable cultural, geographical, and chronological range of Wiesner-Hanks’ research is matched only by the sophistication, nuance, and clarity of her analysis. This book offers a rare and valuable global perspective on gender roles in human history.” Jerry H. Bentley, University of Hawaii Over the past two decades, considerations of gender have revolutionized the study of history. Yet most books on the subject remain narrowly focused on a specific time period or particular region of the world. Gender in History: Global Perspectives, Second Edition, continues to redress this inequity by providing a concise overview of the construction of gender in many world cultures over a period stretching from the Paleolithic era to modern times. Thoroughly updated to reflect current developments in the field, the new edition features entirely new sections which address primates, slavery, colonialism, masculinity, transgender issues, and other relevant topics. As in the well-received first edition, material is presented thematically to reveal the connections between gender and structures such as the family, economy, law, religion, sexuality, and the state. Wiesner-Hanks also investigates precisely what it meant to be a man or woman throughout history; how these roles were shaped by various institutions; and how they in turn were influenced by gender. The author presents material within each chapter chronologically to highlight the ways in which gender structures have varied over time. The new edition of Gender in History: Global Perspectives offers rich insights into all that is currently known about gender roles throughout world history. A companion website is available at www.wiley.com/go/wiesnerhanks

Theoretical Perspectives on Gender and Development demytsifies the theory of gender and development and shows how it plays an important role in everyday life. It explores the evolution of gender and development theory, introduces competing theoretical frameworks, and examines new and emerging debates. The focus is on the implications of theory for policy and practice, and the need to theorize gender and development to create a more egalitarian society. This book is intended for classroom and workshop use in the fields ofdevelopment studies, development theory, gender and development, and women's studies. Its clear and straightforward prose will be appreciated by undergraduate and seasoned professional, alike. Classroom exercises, study questions, activities, and case studies are included. It is designed for use in both formal and nonformal educational settings.

From brain structure and role models to the creation drama and the new covenant, Mary Stewart Van Leeuwen helps us to understand more clearly the forces--and the freedoms--that shape our lives.

Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as they explore the good, the bad, and the ugly effects of love and marriage on the lives of their heroines. Bronwyn Reddan argues that the conteuses' scripts for love emphasize the importance of gender in determining the "right" way to love in seventeenth-century France. Their version of fairy-tale love is historical and contingent rather than universal and timeless. This conversation about love compels revision of the happily-ever-after narrative and offers incisive commentary on the gendered scripts for the performance of love in courtship and marriage in seventeenth-century France.

An old woman enters into a fantastical world of dreams and nightmares in this surrealist classic admired by Björk and Luis Buñuel. Leonora Carrington, painter, playwright, and novelist, was a surrealist trickster par excellence, and The Hearing Trumpet is the witty, celebratory key to her anarchic and allusive body of work. The novel begins in the bourgeois comfort of a residential corner of a Mexican city and ends with a man-made apocalypse that promises to usher in the earth’s rebirth. In between we are swept off to a most curious old-age home run by a self-improvement cult and drawn several centuries back in time with a cross-dressing Abbess who is on a quest to restore the Holy Grail to its rightful owner, the Goddess Venus. Guiding us is one of the most unexpected heroines in twentieth-century literature, a nonagenarian vegetarian named Marian Leatherby, who, as Olga Tokarczuk writes in her afterword, is “hard of hearing” but “full of life.”